Rerun scripts/auxiliar/update-with-convert-ly.sh

3 files changed, 35 insertions, 35 deletions

diff --git a/Documentation/nl/learning/common-notation.itely b/Documentation/nl/learning/common-notation.itely
index ae89bdba9c..8bb4361689 100644
--- a/Documentation/nl/learning/common-notation.itely
+++ b/Documentation/nl/learning/common-notation.itely
@@ -12,7 +12,7 @@
 @c Translation checker:
 @c Translation checker committish:
 
-@c \version "2.17.28"
+@c \version "2.19.2"
 
 @ignore
 Tutorial guidelines:  (different from policy.txt!)
@@ -263,7 +263,7 @@ een tilde @code{~} aan de eerste noot die overgebonden
 wordt.
 
 @lilypond[verbatim,quote,relative=2]
-g4~ g c2~ | c4~ c8 a~ a2 |
+g4~ 4 c2~ | 4~ 8 a~ 2 |
 @end lilypond
 
 @subheading Legatobogen
@@ -310,7 +310,7 @@ gebruikt over grotere nootgroepen.  Legatobogen en
 overbindingen kunnen worden genest.
 
 @lilypond[verbatim,quote,relative=2]
-c4~( c8 d~ d4 e)
+c4~( c8 d~ 4 e)
 @end lilypond
 
 
@@ -1217,7 +1217,7 @@ in Figaro's aria @notation{Largo al factotum}:
     \clef "bass"
     \key c \major
     \time 6/8
-    c4.~ c8 d b | c8([ d]) b c d b | c8
+    c4.~ 8 d b | c8([ d]) b c d b | c8
   }
   \addlyrics {
     Lar -- go_al fac -- | to -- tum del -- la cit -- | tà
@@ -1249,7 +1249,7 @@ notenbalk.  Hier is een voorbeeld uit Handels
     \key f \major
     \time 6/8
     \partial 8
-    c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ c4
+    c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ 4
   }
   \addlyrics {
     Let | flee -- cy flocks the | hills a -- | dorn, __
diff --git a/Documentation/nl/learning/fundamental.itely b/Documentation/nl/learning/fundamental.itely
index c68c506cf2..a129a464ff 100644
--- a/Documentation/nl/learning/fundamental.itely
+++ b/Documentation/nl/learning/fundamental.itely
@@ -12,7 +12,7 @@
 @c Translation checker:
 @c Translation checker committish:
 
-@c \version "2.17.29"
+@c \version "2.19.2"
 
 @node Fundamentele concepten
 @translationof Fundamental concepts
@@ -709,7 +709,7 @@ of slurs, stems, ties, dynamics etc., is set appropriately.
   c16 d e f
   %    Voice "1"     Voice "2"                Voice "3"
   << { g4 f e } \\ { r8 e4 d c8~ } >> |
-  << { d2 e }   \\ { c8 b16 a b8 g~ g2 } \\ { s4 b c2 } >> |
+  << { d2 e }   \\ { c8 b16 a b8 g~ 2 } \\ { s4 b c2 } >> |
 }
 @end lilypond
 
@@ -747,7 +747,7 @@ blue triangle voice.
     { d2 e }
   \\
      % Voice 2 continues
-    { c8 b16 a b8 g~ g2 }
+    { c8 b16 a b8 g~ 2 }
   \\
     {
       \voiceThreeStyle
@@ -1030,25 +1030,25 @@ markup, ties, slurs, and dynamics:
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   % Default behavior or behavior after \oneVoice
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   \voiceOne
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
   \oneVoice
-  c,4 d8~ d e4( f | g4 a) b-> c |
+  c,4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   \voiceTwo
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
   \oneVoice
-  c,4 d8~ d e4( f | g4 a) b-> c |
+  c,4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
@@ -1076,7 +1076,7 @@ permitting a phrasing slur to be drawn over them.
     \new Voice {
       % Set stems, etc., down
       \voiceTwo
-      r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+      r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
     }
     % Initiate third voice
     \new Voice {
@@ -1107,7 +1107,7 @@ typeset the music:
       \voiceTwo
       r8 e4 d c8~ |
       <<
-        { c8 b16 a b8 g~ g2 | }
+        { c8 b16 a b8 g~ 2 | }
         \new Voice {
           \voiceThree
           s4 b c2 |
@@ -1138,7 +1138,7 @@ as here:
   \new Voice {
     % Set stems, etc, down
     \voiceTwo
-    s4 r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+    s4 r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
   }
   % Initiate third voice
   \new Voice {
@@ -1271,7 +1271,7 @@ rather than music.
 global = { \key f \major \time 6/8 \partial 8 }
 
 SopOneMusic = \relative c'' {
-  c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ c4
+  c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
 }
 SopOneLyrics = \lyricmode {
   Let | flee -- cy flocks the | hills a -- dorn, __
@@ -2936,15 +2936,15 @@ ManualOneVoiceOneMusic = \relative g' {
   d2 c |
 }
 ManualOneVoiceTwoMusic = \relative c' {
-  ees16 d ees8~ ees16 f ees d c8 d~ d c~ |
-  c8 c4 b8 c8. g16 c b c d |
+  ees16 d ees8~ 16 f ees d c8 d~ d c~ |
+  8 c4 b8 c8. g16 c b c d |
 }
 ManualTwoMusic = \relative c' {
-  c16 b c8~ c16 b c g a8 g~ g16 g aes ees |
-  f16 ees f d g aes g f ees d ees8~ ees16 f ees d |
+  c16 b c8~ 16 b c g a8 g~ 16 g aes ees |
+  f16 ees f d g aes g f ees d ees8~ 16 f ees d |
 }
 PedalOrganMusic = \relative c {
-  r8 c16 d ees d ees8~ ees16 a, b g c b c8 |
+  r8 c16 d ees d ees8~ 16 a, b g c b c8 |
   r16 g ees f g f g8 c,2 |
 }
 
diff --git a/Documentation/nl/learning/tweaks.itely b/Documentation/nl/learning/tweaks.itely
index 80881daf55..9abaa16d9b 100644
--- a/Documentation/nl/learning/tweaks.itely
+++ b/Documentation/nl/learning/tweaks.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.20"
+@c \version "2.19.2"
 
 @node Tweaking output
 @chapter Tweaking output
@@ -2922,12 +2922,12 @@ collide with the ties:
 {
   \time 4/2
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     { e''8 e'' e'' e''  e'' e'' e'' e''  f''2 g'' }
   >>
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     { e''8 e'' e'' e''  e'' e'' e'' e''  f''2 g'' }
   >>
@@ -2946,7 +2946,7 @@ say, 1:
 {
   \time 4/2
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     {
       \override Beam.positions = #'(-1 . -1)
@@ -2954,7 +2954,7 @@ say, 1:
     }
   >>
   <<
-    { c'1 ~ c'2. e'8 f' }
+    { c'1 ~ 2. e'8 f' }
     \\
     { e''8 e'' e'' e''  e'' e'' e'' e''  f''2 g'' }
   >>
@@ -3143,7 +3143,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuation of main voice
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3200,7 +3200,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuation of main voice
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3272,7 +3272,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuation of main voice
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3353,7 +3353,7 @@ rhMusic = \relative c'' {
       { c,8 d fis bes a }  % continuation of main voice
       \new Voice {
         \voiceTwo
-        c,8~ c2
+        c,8~ 2
       }
       \new Voice {
         \voiceThree
@@ -3587,7 +3587,7 @@ same voice can be connected with ties.  By using two voices,
 with the tied notes in one of them
 
 @lilypond[quote,fragment,relative=2]
-<< { b8~ b\noBeam } \\ { b8[ g] } >>
+<< { b8~ 8\noBeam } \\ { b8[ g] } >>
 @end lilypond
 
 @noindent
@@ -3601,7 +3601,7 @@ cross voices:
 <<
   {
     \tweak Stem.transparent ##t
-    b8~ b\noBeam
+    b8~ 8\noBeam
   }
 \\
   { b8[ g] }
@@ -3617,7 +3617,7 @@ too much, we can lengthen the stem by setting the
   {
     \tweak Stem.transparent ##t
     \tweak Stem.length #8
-    b8~ b\noBeam
+    b8~ 8\noBeam
   }
 \\
   { b8[ g] }
@@ -3639,7 +3639,7 @@ possible to rewrite the above example as
     \single \hide Stem
     \single \hide Flag
     \tweak Stem.length #8
-    b8~ b\noBeam
+    b8~ 8\noBeam
   }
 \\
   { b8[ g] }