From 74843362972efd8b7a76419da499c0f5a920663d Mon Sep 17 00:00:00 2001 From: David Kastrup Date: Sun, 2 Feb 2014 13:23:27 +0100 Subject: Rerun scripts/auxiliar/update-with-convert-ly.sh --- Documentation/nl/learning/common-notation.itely | 10 ++++---- Documentation/nl/learning/fundamental.itely | 34 ++++++++++++------------- Documentation/nl/learning/tweaks.itely | 26 +++++++++---------- 3 files changed, 35 insertions(+), 35 deletions(-) (limited to 'Documentation/nl') diff --git a/Documentation/nl/learning/common-notation.itely b/Documentation/nl/learning/common-notation.itely index ae89bdba9c..8bb4361689 100644 --- a/Documentation/nl/learning/common-notation.itely +++ b/Documentation/nl/learning/common-notation.itely @@ -12,7 +12,7 @@ @c Translation checker: @c Translation checker committish: -@c \version "2.17.28" +@c \version "2.19.2" @ignore Tutorial guidelines: (different from policy.txt!) @@ -263,7 +263,7 @@ een tilde @code{~} aan de eerste noot die overgebonden wordt. @lilypond[verbatim,quote,relative=2] -g4~ g c2~ | c4~ c8 a~ a2 | +g4~ 4 c2~ | 4~ 8 a~ 2 | @end lilypond @subheading Legatobogen @@ -310,7 +310,7 @@ gebruikt over grotere nootgroepen. Legatobogen en overbindingen kunnen worden genest. @lilypond[verbatim,quote,relative=2] -c4~( c8 d~ d4 e) +c4~( c8 d~ 4 e) @end lilypond @@ -1217,7 +1217,7 @@ in Figaro's aria @notation{Largo al factotum}: \clef "bass" \key c \major \time 6/8 - c4.~ c8 d b | c8([ d]) b c d b | c8 + c4.~ 8 d b | c8([ d]) b c d b | c8 } \addlyrics { Lar -- go_al fac -- | to -- tum del -- la cit -- | tà @@ -1249,7 +1249,7 @@ notenbalk. Hier is een voorbeeld uit Handels \key f \major \time 6/8 \partial 8 - c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ c4 + c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ 4 } \addlyrics { Let | flee -- cy flocks the | hills a -- | dorn, __ diff --git a/Documentation/nl/learning/fundamental.itely b/Documentation/nl/learning/fundamental.itely index c68c506cf2..a129a464ff 100644 --- a/Documentation/nl/learning/fundamental.itely +++ b/Documentation/nl/learning/fundamental.itely @@ -12,7 +12,7 @@ @c Translation checker: @c Translation checker committish: -@c \version "2.17.29" +@c \version "2.19.2" @node Fundamentele concepten @translationof Fundamental concepts @@ -709,7 +709,7 @@ of slurs, stems, ties, dynamics etc., is set appropriately. c16 d e f % Voice "1" Voice "2" Voice "3" << { g4 f e } \\ { r8 e4 d c8~ } >> | - << { d2 e } \\ { c8 b16 a b8 g~ g2 } \\ { s4 b c2 } >> | + << { d2 e } \\ { c8 b16 a b8 g~ 2 } \\ { s4 b c2 } >> | } @end lilypond @@ -747,7 +747,7 @@ blue triangle voice. { d2 e } \\ % Voice 2 continues - { c8 b16 a b8 g~ g2 } + { c8 b16 a b8 g~ 2 } \\ { \voiceThreeStyle @@ -1030,25 +1030,25 @@ markup, ties, slurs, and dynamics: @lilypond[quote,ragged-right,verbatim] \relative c' { % Default behavior or behavior after \oneVoice - c4 d8~ d e4( f | g4 a) b-> c | + c4 d8~ 8 e4( f | g4 a) b-> c | } @end lilypond @lilypond[quote,ragged-right,verbatim] \relative c' { \voiceOne - c4 d8~ d e4( f | g4 a) b-> c | + c4 d8~ 8 e4( f | g4 a) b-> c | \oneVoice - c,4 d8~ d e4( f | g4 a) b-> c | + c,4 d8~ 8 e4( f | g4 a) b-> c | } @end lilypond @lilypond[quote,ragged-right,verbatim] \relative c' { \voiceTwo - c4 d8~ d e4( f | g4 a) b-> c | + c4 d8~ 8 e4( f | g4 a) b-> c | \oneVoice - c,4 d8~ d e4( f | g4 a) b-> c | + c,4 d8~ 8 e4( f | g4 a) b-> c | } @end lilypond @@ -1076,7 +1076,7 @@ permitting a phrasing slur to be drawn over them. \new Voice { % Set stems, etc., down \voiceTwo - r8 e4 d c8~ | c8 b16 a b8 g~ g2 | + r8 e4 d c8~ | 8 b16 a b8 g~ 2 | } % Initiate third voice \new Voice { @@ -1107,7 +1107,7 @@ typeset the music: \voiceTwo r8 e4 d c8~ | << - { c8 b16 a b8 g~ g2 | } + { c8 b16 a b8 g~ 2 | } \new Voice { \voiceThree s4 b c2 | @@ -1138,7 +1138,7 @@ as here: \new Voice { % Set stems, etc, down \voiceTwo - s4 r8 e4 d c8~ | c8 b16 a b8 g~ g2 | + s4 r8 e4 d c8~ | 8 b16 a b8 g~ 2 | } % Initiate third voice \new Voice { @@ -1271,7 +1271,7 @@ rather than music. global = { \key f \major \time 6/8 \partial 8 } SopOneMusic = \relative c'' { - c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ c4 + c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4 } SopOneLyrics = \lyricmode { Let | flee -- cy flocks the | hills a -- dorn, __ @@ -2936,15 +2936,15 @@ ManualOneVoiceOneMusic = \relative g' { d2 c | } ManualOneVoiceTwoMusic = \relative c' { - ees16 d ees8~ ees16 f ees d c8 d~ d c~ | - c8 c4 b8 c8. g16 c b c d | + ees16 d ees8~ 16 f ees d c8 d~ d c~ | + 8 c4 b8 c8. g16 c b c d | } ManualTwoMusic = \relative c' { - c16 b c8~ c16 b c g a8 g~ g16 g aes ees | - f16 ees f d g aes g f ees d ees8~ ees16 f ees d | + c16 b c8~ 16 b c g a8 g~ 16 g aes ees | + f16 ees f d g aes g f ees d ees8~ 16 f ees d | } PedalOrganMusic = \relative c { - r8 c16 d ees d ees8~ ees16 a, b g c b c8 | + r8 c16 d ees d ees8~ 16 a, b g c b c8 | r16 g ees f g f g8 c,2 | } diff --git a/Documentation/nl/learning/tweaks.itely b/Documentation/nl/learning/tweaks.itely index 80881daf55..9abaa16d9b 100644 --- a/Documentation/nl/learning/tweaks.itely +++ b/Documentation/nl/learning/tweaks.itely @@ -8,7 +8,7 @@ Guide, node Updating translation committishes.. @end ignore -@c \version "2.17.20" +@c \version "2.19.2" @node Tweaking output @chapter Tweaking output @@ -2922,12 +2922,12 @@ collide with the ties: { \time 4/2 << - { c'1 ~ c'2. e'8 f' } + { c'1 ~ 2. e'8 f' } \\ { e''8 e'' e'' e'' e'' e'' e'' e'' f''2 g'' } >> << - { c'1 ~ c'2. e'8 f' } + { c'1 ~ 2. e'8 f' } \\ { e''8 e'' e'' e'' e'' e'' e'' e'' f''2 g'' } >> @@ -2946,7 +2946,7 @@ say, 1: { \time 4/2 << - { c'1 ~ c'2. e'8 f' } + { c'1 ~ 2. e'8 f' } \\ { \override Beam.positions = #'(-1 . -1) @@ -2954,7 +2954,7 @@ say, 1: } >> << - { c'1 ~ c'2. e'8 f' } + { c'1 ~ 2. e'8 f' } \\ { e''8 e'' e'' e'' e'' e'' e'' e'' f''2 g'' } >> @@ -3143,7 +3143,7 @@ rhMusic = \relative c'' { { c,8 d fis bes a } % continuation of main voice \new Voice { \voiceTwo - c,8~ c2 + c,8~ 2 } \new Voice { \voiceThree @@ -3200,7 +3200,7 @@ rhMusic = \relative c'' { { c,8 d fis bes a } % continuation of main voice \new Voice { \voiceTwo - c,8~ c2 + c,8~ 2 } \new Voice { \voiceThree @@ -3272,7 +3272,7 @@ rhMusic = \relative c'' { { c,8 d fis bes a } % continuation of main voice \new Voice { \voiceTwo - c,8~ c2 + c,8~ 2 } \new Voice { \voiceThree @@ -3353,7 +3353,7 @@ rhMusic = \relative c'' { { c,8 d fis bes a } % continuation of main voice \new Voice { \voiceTwo - c,8~ c2 + c,8~ 2 } \new Voice { \voiceThree @@ -3587,7 +3587,7 @@ same voice can be connected with ties. By using two voices, with the tied notes in one of them @lilypond[quote,fragment,relative=2] -<< { b8~ b\noBeam } \\ { b8[ g] } >> +<< { b8~ 8\noBeam } \\ { b8[ g] } >> @end lilypond @noindent @@ -3601,7 +3601,7 @@ cross voices: << { \tweak Stem.transparent ##t - b8~ b\noBeam + b8~ 8\noBeam } \\ { b8[ g] } @@ -3617,7 +3617,7 @@ too much, we can lengthen the stem by setting the { \tweak Stem.transparent ##t \tweak Stem.length #8 - b8~ b\noBeam + b8~ 8\noBeam } \\ { b8[ g] } @@ -3639,7 +3639,7 @@ possible to rewrite the above example as \single \hide Stem \single \hide Flag \tweak Stem.length #8 - b8~ b\noBeam + b8~ 8\noBeam } \\ { b8[ g] } -- cgit v1.2.3