input/gallina.ly


1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228

%{
From mats.bengtsson@s3.kth.seThu Aug 14 02:11:19 1997
Date: Wed, 13 Aug 1997 18:24:53 +0200
From: Mats Bengtsson <mats.bengtsson@s3.kth.se>
To: Han-Wen Nienhuys <hanwen@stack.nl>
Subject: Re: brevis? 

[snip]

Here comes a sample score where I've tried to fiddle around with different
spacing parameters to get a decent layout, but it still looks quite strange.
For example is the second half of the bar more spread out than the first
half in many cases. 
Hopefully it could be useful input to future improvements. I've entered the
music directly from the 1637 manuscript and intend to publish it public
domain on for example ftp.gmd.de when finished. You could include it as an
example in the distribution, but in that case I could add a LaTeX title file.
There were no beams in the manuscript so I didn't use them in this edition 
either.

      /Mats

--------------------------------------------------
%}
%{
 title: La Gallina a 2 violini
 date: 1637
 source: the manuscript of Canzoni overo Sonate Concertate 
   libro terzo, opera duodecima 
 composer(s): Tarquinio Merula (?-?)
 entered-by: Mats Bengtsson
 copyright: Public Domain 
 

 Tested Features: Note placement, multipart score, figured base

%}

vi1=\melodic{
  \meter 4/4;
  \octave c'';

  d8 d d d d4 A16 B c A |
  B8 G G G16 A B8 G G G16 A | 
  B8 G G A16 B c4 B |
  A8 D G4. Fis16 E Fis4 |
  G2 r2 |
  r1 |
  d8 d d d d4 A16 B c A |
  B8 G G G16 A B8 G G G16 A | 
  B8 G G A16 B c8 e d c |
  B G c2 B4 |
  c2 r |
  r1 |
  g8 g g g g4 d16 e f d |
  e8 c c c16 d e8 c c c16 d |
  e8 c c d16 e f4 e |
  d8 G c2 B4 |
  c8 G G G16 A B4 G |
  r8 G G G16 A B4 G |
  r8 E16 Fis G8 G  Fis G G Fis|
  G2 r |
  r1 |
  r16 d c B A G Fis E D8 d d d16 c |
  B8 d d d16 c B8 d d d16 e |
  fis4 g2 fis4 |
  r16 g f e d c B A G8 g g g16 f |
  e8 g g g16 f e8 g g g16 a |
  b4 c'2 b4 |
  c'8 g g g16 f e4 d |
  r8 g g g16 f e4 d |
  r8 d16 A B8 B16 c A2 |
  B1 |
  \meter 3/2;
  r4 d d d d d |
  e1. |
  r4 c c c c c |
  d1. |
  r4 d8 c B4 c8 d G4 A8 B |
  E1. |
  r4 e8 d cis4 d8 e A4 B8 cis |
  Fis1. |
  r4 d d d d d |
  e e8 d c4 d8 e A4 B8 c |
  Fis4 fis8 e d4 e8 fis B4 c8 d |
  G4 g g g g g |
  a4 c'8 b a4 b8 c' f4 g8 a |
  d4 g g g g g |
  a d8 c B4 c8 d A2 |
  \meter 4/4;
  B1 |
  d8 d d d d4 A16 B c A |
  B8 G G G16 A B8 G G G16 A | 
  B8 G  c2 B4 |
  c2 r |
  g8 g g g g4 d16 e f d |
  e8 G G G16 A B8 d d d16 e |
  fis4 g2 fis4 |
  r16 g f e d c B A G8 g g g16 f |
  e2 r8 d d d16 e |
  fis a g fis e d c B A8 d d d16 e |
  fis4 g2 fis4 |
  g1
  \bar "|.";
}

vi2=\melodic{
  \meter 4/4;
  \octave c'';

  r1 | r | r | 
  d8 d d d d4 A16 B c A |
  B8 G G G16 A B8 G G G16 A | 
  B8 G G A16 B c4 B |
  A8 D G4. Fis16 E Fis4 |
  G2 r2 |
  r1 |
  g8 g g g g4 d16 e f d |
  e8 c c c16 d e8 c c c16 d |
  e8 c c d16 e f4 e |
  d8 G c2 B4 |
  c2 r |
  r1 |
  g8 g g g g4 d16 e f d |
  e2 r8 G G G16 A |
  B4 G r8 G G A16 B 
  c4 B A2 |
  G r16 d c B A G Fis E |
  D8 d d d16 c B8 d d d16 e |
  fis4 g g4. fis8 |
  g2 r |
  r16 d c B A G Fis E D8 d d d16 c |
  B4 c2 B4 |
  c d G2 |
  r16 g f e d c B A G8 g g g16 f |
  e4 d r8 g g g16 f |
  e4 d r8 c16 G B8 B16 c |
  A4 G2 Fis4 |
  G1 |
  \meter 3/2;
  r1. |
  r4 g8 f e4 f8 g c4 d8 e |
  A1. |
  r4 a8 g fis4 g8 a d4 e8 fis |
  B1. |
  r4 g g g g g |
  a1. |
  r4 a a a a a |
  b d8 c B4 c8 d G4 A8 B |
  E4 g8 f e4 f8 g c4 d8 e |
  A4 a8 g fis4 g8 a d4 e8 fis |
  B4 b8 a g4 a8 b e4 fis8 g |
  c4 A A A A A |
  B d8 c B4 c8 d D4 E |
  Fis2 G Fis |
  \meter 4/4;
  G1 |
  r1 | r1 |
  g8 g g g g4 d16 e f d |
  e8 c c c16 d e8 G G G16 A |
  B8 G c2 B4 |
  c2 r |
  r16 d c B A G Fis E D8 d d d16 c |
  B4 c2 B4 |
  c8 G G G16 A B d c B A G Fis E |
  D8 d d d16 e fis16 a g fis e d c B |
  A d c B A G Fis E D4 d |
  B1
  \bar "|.";
}

bc=\melodic{
  \clef "bass";
  \meter 4/4;
  \octave c;

  G2 d^"4 3" | G1 |
  g2 c4 G | d1^"3 4 3" |
  G1 | g2 c4 G |
  d1^"3 4 3" | G |
  g2 c4 d | G1^"3 4 3" |
  c1 | c2 F4 c | 
  G1^"3 4 3" | c |
  c2 F4 c | G1^"3 4 3" |
  c2 G | g G |
  c4 G d2^"3 4 3" | G g |
  fis g | d1^"3 4 3" |
  G2 B | d1^"3 4 3" |
  G^"3 4 3" | c4 B c2 |
  G1^"3 4 3" | c4 B c g |
  c B c G | d1^"3 4 3" |
  G1 |
  \meter 3/2;
  g1. | c |
  f | d^"\sharp" |
  g | c |
  A | d^"\sharp" |
  G | c |
  d^"\sharp" | e |
  f | g1 B2 |
  d1.^"3 4 3" |
  \meter 4/4;
  G1 |
  g2 fis | g G |
  g1^"3 4 3" | c |
  G^"3 4 3" | c2 G |
  d1^"3 4 3" | G^"3 4 3" |
  c2 G | d1^"\sharp" ( |
  ) d^"3 4 3" | G |
  \bar "|.";
}

\score{
  < \multi 3;
    \vi1
    \vi2
    \bc
  >
  \paper{
    linewidth=18.\cm;
    gourlay_maxmeasures=5.;
  }
}