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|
%% DO NOT EDIT this file manually; it is automatically
%% generated from LSR http://lsr.dsi.unimi.it
%% Make any changes in LSR itself, or in Documentation/snippets/new/ ,
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
\version "2.14.2"
\header {
= "breaks, workaround, repeats, symbols-and-glyphs"
%% Translation of GIT committish: 28097cf54698db364afeb75658e4c8e0e0ccd716
texidocfr = "
Le code ci-dessous permet d'adjoindre à un signe @emph{segno} un texte
@emph{D.S. al Coda}, là où se trouverait normalement un bout de portée.
La @emph{coda} entamera une nouvelle ligne. Une variante, indiquée ici
même, permet de laisser la @emph{coda} sur la même ligne.
"
doctitlefr = "Positionnement des segno et coda (avec saut de ligne)"
= "
If you want to place an exiting segno sign and add text like @qq{D.S.
al Coda} next to it where usually the staff lines are you can use this
snippet. The coda will resume in a new line. There is a variation
documented in this snippet, where the coda will remain on the same
line.
"
= "Positioning segno and coda (with line break)"
} % begin verbatim
{
\clef treble
\key g \major
\time 4/4
\relative c'' {
\repeat unfold 2 {
| c4 c c c
}
% Set segno sign as rehearsal mark and adjust size if needed
% \once \override Score.RehearsalMark #'font-size = #3
\mark \markup { \musicglyph #"scripts.segno" }
\repeat unfold 2 {
| c4 c c c
}
% Set coda sign as rehearsal mark and adjust size if needed
\once \override Score.RehearsalMark #'font-size = #4
\mark \markup { \musicglyph #"scripts.coda" }
\repeat unfold 2 {
| c4 c c c
}
% Should Coda be on anew line?
% Coda NOT on new line: use \nobreak
% Coda on new line: DON'T use \nobreak
% \noBreak
\bar "||"
% Set segno sign as rehearsal mark and adjust size if needed
\once \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
% \once \override Score.RehearsalMark #'font-size = #3
\mark \markup { \musicglyph #"scripts.segno" }
% Here begins the trickery!
% \cadenzaOn will suppress the bar count and \stopStaff removes the staff lines.
\cadenzaOn
\stopStaff
% Some examples of possible text-displays
% text line-aligned
% ==================
% Move text to the desired position
% \once \override TextScript #'extra-offset = #'( 2 . -3.5 )
% | s1*0^\markup { D.S. al Coda } }
% text center-aligned
% ====================
% Move text to the desired position
% \once \override TextScript #'extra-offset = #'( 6 . -5.0 )
% | s1*0^\markup { \center-column { D.S. "al Coda" } }
% text and symbols center-aligned
% ===============================
% Move text to the desired position and tweak spacing for optimum text alignment
%\once \override TextScript #'extra-offset = #'( 8 . -5.5 )
\once \override TextScript #'word-space = #1.5
\once \override TextScript #'X-offset = #8
\once \override TextScript #'Y-offset = #1.5
| s1*0^\markup { \center-column { "D.S. al Coda" \line { \musicglyph #"scripts.coda" \musicglyph #"scripts.tenuto" \musicglyph #"scripts.coda"} } }
% Increasing the unfold counter will expand the staff-free space
\repeat unfold 4 {
s4 s4 s4 s4
\bar ""
}
% Resume bar count and show staff lines again
\startStaff
\cadenzaOff
% Should Coda be on new line?
% Coda NOT on new line: DON'T use \break
% Coda on new line: use \break
\break
% Show up, you clef and key!
\once \override Staff.KeySignature #'break-visibility = #end-of-line-invisible
\once \override Staff.Clef #'break-visibility = #end-of-line-invisible
% Set coda sign as rehearsal mark and adjust size and position
% Put the coda sign ontop of the (treble-)clef dependend on coda's line-position
% Coda NOT on new line, use this:
% \once \override Score.RehearsalMark #'extra-offset = #'( -2 . 1.75 )
% Coda on new line, use this:
\once \override Score.RehearsalMark #'extra-offset = #'( -8.42 . 1.75 )
\once \override Score.RehearsalMark #'font-size = #5
\mark \markup { \musicglyph #"scripts.coda" }
% The coda
\repeat unfold 5 {
| c4 c c c
}
\bar"|."
}
}
|
