% DO NOT EDIT this file manually; it is automatically % generated from Documentation/snippets/new % Make any changes in Documentation/snippets/new/ % and then run scripts/auxiliar/makelsr.py % % This file is in the public domain. %% Note: this file works from version 2.14.0 \version "2.14.0" \header { %% Translation of GIT committish: 8b93de6ce951b7b14bc7818f31019524295b990f texidoces = " Esta plantilla crea una partitura que comienza con una estrofa para solista y continúa con un estribillo a dos voces. también muestra el uso de silencios de separación dentro de la variable @code{\\global} para definir cambios de compás (y otros elementos que son comunes a todas las partes) a lo largo de toda la partitura. " doctitlees = "Estrofa para solista y estribillo a dos voces" %% Translation of GIT committish: 34607d3e36a93030690ccd780a7ffce621ca1e0f texidocit = " Questo modello crea una partitura che inizia con una sezione solistica e prosegue in un ritornello a due voci. Illustra anche l'uso delle pause spaziatrici all'interno della variabile @code{\\global} per definire i cambi di tempo (e altri elementi comuni a tutte le parti) nel corso di tutta la partitura. " doctitleit = "Modello per gruppo vocale con strofa e ritornello" %% Translation of GIT committish: 64feeff58e5ce3397de87188a08ac99f7ef8e37b texidocde = " Diese Vorlage erstellt eine Partitur, die mit Sologesang beginnt und einen Refrain für zwei Stimmen enthält. Sie zeigt auch die Benutzung von Platzhalter-Pausen innerhalb der @code{\\global}-Variable, um Taktwechsel (und andere Elemente, die für alle Stimmen gleich sind) für das gesamte Stück zu definieren. " doctitlede = "Sologesang und zweistimmiger Refrain" %% Translation of GIT committish: 26375d5016d8d180fc914bfd07cf76f4168f2e37 texidocfr = " Ce canevas illustre la manière d'agencer une œuvre vocale où le couplet est chanté en solo et le refrain à deux voix. Vous noterez le recours aux silences invisibles dans la variable @code{\\global}@tie{}; ils permettent de positionner les changements de métrique et autres éléments communs à toutes les parties et pour l'intégralité du morceau. " doctitlefr = "Ensemble vocal avec couplet et refrain" lsrtags = "vocal-music, contexts-and-engravers, template" texidoc = " This template creates a score which starts with a solo verse and continues into a refrain for two voices. It also demonstrates the use of spacer rests within the @code{\\global} variable to define meter changes (and other elements common to all parts) throughout the entire score. " doctitle = "Vocal ensemble template with verse and refrain" } % begin verbatim global = { \key g \major % verse \time 3/4 s2.*2 \break % refrain \time 2/4 s2*2 \bar "|." } SoloNotes = \relative g' { \clef "treble" % verse g4 g g | b4 b b | % refrain R2*2 | } SoloLyrics = \lyricmode { One two three | four five six | } SopranoNotes = \relative c'' { \clef "treble" % verse R2.*2 | % refrain c4 c | g4 g | } SopranoLyrics = \lyricmode { la la | la la | } BassNotes = \relative c { \clef "bass" % verse R2.*2 | % refrain c4 e | d4 d | } BassLyrics = \lyricmode { dum dum | dum dum | } \score { << \new Voice = "SoloVoice" << \global \SoloNotes >> \new Lyrics \lyricsto "SoloVoice" \SoloLyrics \new ChoirStaff << \new Voice = "SopranoVoice" << \global \SopranoNotes >> \new Lyrics \lyricsto "SopranoVoice" \SopranoLyrics \new Voice = "BassVoice" << \global \BassNotes >> \new Lyrics \lyricsto "BassVoice" \BassLyrics >> >> \layout { ragged-right = ##t \context { \Staff % these lines prevent empty staves from being printed \RemoveEmptyStaves \override VerticalAxisGroup #'remove-first = ##t } } }