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Diffstat (limited to 'Documentation/snippets/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly')
| -rw-r--r-- | Documentation/snippets/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly | 4 |
1 files changed, 2 insertions, 2 deletions
diff --git a/Documentation/snippets/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly b/Documentation/snippets/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly index a60171c664..f2a8a1e00e 100644 --- a/Documentation/snippets/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly +++ b/Documentation/snippets/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly @@ -8,7 +8,7 @@ \version "2.14.0" \header { -%% Translation of GIT committish: 8b93de6ce951b7b14bc7818f31019524295b990f +%% Translation of GIT committish: 6977ddc9a3b63ea810eaecb864269c7d847ccf98 doctitlees = "Alteraciones de estilo dodecafónico para todas las notas incluidas las naturales" texidoces = " En las obras de principios del s.XX, empezando por Schoenberg, Berg y @@ -39,7 +39,7 @@ notación. %% Translation of GIT committish: 58a29969da425eaf424946f4119e601545fb7a7e texidocfr = " -Au début du XXème siècle, Schoenberg, Berg et Webern -- la « Seconde » +Au début du XXe siècle, Schoenberg, Berg et Webern -- la « Seconde » école de Vienne -- imaginèrent de donner une importance comparable aux douze notes de la gamme chromatique, et éviter ainsi toute tonalité. Pour ce faire, ces compositions font apparaître une altération à chaque |