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-rw-r--r--Documentation/nl/learning/common-notation.itely10
-rw-r--r--Documentation/nl/learning/fundamental.itely34
-rw-r--r--Documentation/nl/learning/tweaks.itely26
3 files changed, 35 insertions, 35 deletions
diff --git a/Documentation/nl/learning/common-notation.itely b/Documentation/nl/learning/common-notation.itely
index ae89bdba9c..8bb4361689 100644
--- a/Documentation/nl/learning/common-notation.itely
+++ b/Documentation/nl/learning/common-notation.itely
@@ -12,7 +12,7 @@
@c Translation checker:
@c Translation checker committish:
-@c \version "2.17.28"
+@c \version "2.19.2"
@ignore
Tutorial guidelines: (different from policy.txt!)
@@ -263,7 +263,7 @@ een tilde @code{~} aan de eerste noot die overgebonden
wordt.
@lilypond[verbatim,quote,relative=2]
-g4~ g c2~ | c4~ c8 a~ a2 |
+g4~ 4 c2~ | 4~ 8 a~ 2 |
@end lilypond
@subheading Legatobogen
@@ -310,7 +310,7 @@ gebruikt over grotere nootgroepen. Legatobogen en
overbindingen kunnen worden genest.
@lilypond[verbatim,quote,relative=2]
-c4~( c8 d~ d4 e)
+c4~( c8 d~ 4 e)
@end lilypond
@@ -1217,7 +1217,7 @@ in Figaro's aria @notation{Largo al factotum}:
\clef "bass"
\key c \major
\time 6/8
- c4.~ c8 d b | c8([ d]) b c d b | c8
+ c4.~ 8 d b | c8([ d]) b c d b | c8
}
\addlyrics {
Lar -- go_al fac -- | to -- tum del -- la cit -- | tà
@@ -1249,7 +1249,7 @@ notenbalk. Hier is een voorbeeld uit Handels
\key f \major
\time 6/8
\partial 8
- c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ c4
+ c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ 4
}
\addlyrics {
Let | flee -- cy flocks the | hills a -- | dorn, __
diff --git a/Documentation/nl/learning/fundamental.itely b/Documentation/nl/learning/fundamental.itely
index c68c506cf2..a129a464ff 100644
--- a/Documentation/nl/learning/fundamental.itely
+++ b/Documentation/nl/learning/fundamental.itely
@@ -12,7 +12,7 @@
@c Translation checker:
@c Translation checker committish:
-@c \version "2.17.29"
+@c \version "2.19.2"
@node Fundamentele concepten
@translationof Fundamental concepts
@@ -709,7 +709,7 @@ of slurs, stems, ties, dynamics etc., is set appropriately.
c16 d e f
% Voice "1" Voice "2" Voice "3"
<< { g4 f e } \\ { r8 e4 d c8~ } >> |
- << { d2 e } \\ { c8 b16 a b8 g~ g2 } \\ { s4 b c2 } >> |
+ << { d2 e } \\ { c8 b16 a b8 g~ 2 } \\ { s4 b c2 } >> |
}
@end lilypond
@@ -747,7 +747,7 @@ blue triangle voice.
{ d2 e }
\\
% Voice 2 continues
- { c8 b16 a b8 g~ g2 }
+ { c8 b16 a b8 g~ 2 }
\\
{
\voiceThreeStyle
@@ -1030,25 +1030,25 @@ markup, ties, slurs, and dynamics:
@lilypond[quote,ragged-right,verbatim]
\relative c' {
% Default behavior or behavior after \oneVoice
- c4 d8~ d e4( f | g4 a) b-> c |
+ c4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
@lilypond[quote,ragged-right,verbatim]
\relative c' {
\voiceOne
- c4 d8~ d e4( f | g4 a) b-> c |
+ c4 d8~ 8 e4( f | g4 a) b-> c |
\oneVoice
- c,4 d8~ d e4( f | g4 a) b-> c |
+ c,4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
@lilypond[quote,ragged-right,verbatim]
\relative c' {
\voiceTwo
- c4 d8~ d e4( f | g4 a) b-> c |
+ c4 d8~ 8 e4( f | g4 a) b-> c |
\oneVoice
- c,4 d8~ d e4( f | g4 a) b-> c |
+ c,4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
@@ -1076,7 +1076,7 @@ permitting a phrasing slur to be drawn over them.
\new Voice {
% Set stems, etc., down
\voiceTwo
- r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+ r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
}
% Initiate third voice
\new Voice {
@@ -1107,7 +1107,7 @@ typeset the music:
\voiceTwo
r8 e4 d c8~ |
<<
- { c8 b16 a b8 g~ g2 | }
+ { c8 b16 a b8 g~ 2 | }
\new Voice {
\voiceThree
s4 b c2 |
@@ -1138,7 +1138,7 @@ as here:
\new Voice {
% Set stems, etc, down
\voiceTwo
- s4 r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+ s4 r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
}
% Initiate third voice
\new Voice {
@@ -1271,7 +1271,7 @@ rather than music.
global = { \key f \major \time 6/8 \partial 8 }
SopOneMusic = \relative c'' {
- c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ c4
+ c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
}
SopOneLyrics = \lyricmode {
Let | flee -- cy flocks the | hills a -- dorn, __
@@ -2936,15 +2936,15 @@ ManualOneVoiceOneMusic = \relative g' {
d2 c |
}
ManualOneVoiceTwoMusic = \relative c' {
- ees16 d ees8~ ees16 f ees d c8 d~ d c~ |
- c8 c4 b8 c8. g16 c b c d |
+ ees16 d ees8~ 16 f ees d c8 d~ d c~ |
+ 8 c4 b8 c8. g16 c b c d |
}
ManualTwoMusic = \relative c' {
- c16 b c8~ c16 b c g a8 g~ g16 g aes ees |
- f16 ees f d g aes g f ees d ees8~ ees16 f ees d |
+ c16 b c8~ 16 b c g a8 g~ 16 g aes ees |
+ f16 ees f d g aes g f ees d ees8~ 16 f ees d |
}
PedalOrganMusic = \relative c {
- r8 c16 d ees d ees8~ ees16 a, b g c b c8 |
+ r8 c16 d ees d ees8~ 16 a, b g c b c8 |
r16 g ees f g f g8 c,2 |
}
diff --git a/Documentation/nl/learning/tweaks.itely b/Documentation/nl/learning/tweaks.itely
index 80881daf55..9abaa16d9b 100644
--- a/Documentation/nl/learning/tweaks.itely
+++ b/Documentation/nl/learning/tweaks.itely
@@ -8,7 +8,7 @@
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.20"
+@c \version "2.19.2"
@node Tweaking output
@chapter Tweaking output
@@ -2922,12 +2922,12 @@ collide with the ties:
{
\time 4/2
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{ e''8 e'' e'' e'' e'' e'' e'' e'' f''2 g'' }
>>
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{ e''8 e'' e'' e'' e'' e'' e'' e'' f''2 g'' }
>>
@@ -2946,7 +2946,7 @@ say, 1:
{
\time 4/2
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{
\override Beam.positions = #'(-1 . -1)
@@ -2954,7 +2954,7 @@ say, 1:
}
>>
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{ e''8 e'' e'' e'' e'' e'' e'' e'' f''2 g'' }
>>
@@ -3143,7 +3143,7 @@ rhMusic = \relative c'' {
{ c,8 d fis bes a } % continuation of main voice
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
@@ -3200,7 +3200,7 @@ rhMusic = \relative c'' {
{ c,8 d fis bes a } % continuation of main voice
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
@@ -3272,7 +3272,7 @@ rhMusic = \relative c'' {
{ c,8 d fis bes a } % continuation of main voice
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
@@ -3353,7 +3353,7 @@ rhMusic = \relative c'' {
{ c,8 d fis bes a } % continuation of main voice
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
@@ -3587,7 +3587,7 @@ same voice can be connected with ties. By using two voices,
with the tied notes in one of them
@lilypond[quote,fragment,relative=2]
-<< { b8~ b\noBeam } \\ { b8[ g] } >>
+<< { b8~ 8\noBeam } \\ { b8[ g] } >>
@end lilypond
@noindent
@@ -3601,7 +3601,7 @@ cross voices:
<<
{
\tweak Stem.transparent ##t
- b8~ b\noBeam
+ b8~ 8\noBeam
}
\\
{ b8[ g] }
@@ -3617,7 +3617,7 @@ too much, we can lengthen the stem by setting the
{
\tweak Stem.transparent ##t
\tweak Stem.length #8
- b8~ b\noBeam
+ b8~ 8\noBeam
}
\\
{ b8[ g] }
@@ -3639,7 +3639,7 @@ possible to rewrite the above example as
\single \hide Stem
\single \hide Flag
\tweak Stem.length #8
- b8~ b\noBeam
+ b8~ 8\noBeam
}
\\
{ b8[ g] }
generated by cgit v1.2.3 (git 2.46.0) at 2024-11-22 00:25:37 +0000