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Diffstat (limited to 'Documentation/automated-engraving/software.itexi')
| -rw-r--r-- | Documentation/automated-engraving/software.itexi | 10 |
1 files changed, 5 insertions, 5 deletions
diff --git a/Documentation/automated-engraving/software.itexi b/Documentation/automated-engraving/software.itexi index 250299eec3..3cb64e8847 100644 --- a/Documentation/automated-engraving/software.itexi +++ b/Documentation/automated-engraving/software.itexi @@ -25,7 +25,7 @@ the Sarabande of the 2nd Cello Suite by J. S. Bach. @divClass{float-center} @divEnd -@image{pictures/finale-sarabande-full,,,.png} +@sourceimage{finale-sarabande-full,,,.png} This example far surpasses the previous one when it comes to formatting errors: there are serious errors in literally @@ -36,7 +36,7 @@ magnification of that measure: @divClass{float-center} @divEnd -@image{pictures/finale-flat-detail,,,.png} +@sourceimage{finale-flat-detail,,,.png} The errors go down to the teensy details: below is a blowup of the beam in that measure. Of course, in proper typography the beam should @@ -46,7 +46,7 @@ lack thereof) with the underlying PostScript technology. @divClass{float-center} @divEnd -@image{pictures/finale-beam-detail,,,.png} +@sourceimage{finale-beam-detail,,,.png} Now, one could refute that Finale has a graphical interface, and it lets you easily move about elements to correct errors, or use plug-ins @@ -65,7 +65,7 @@ Did it occur to you that the stem of the last eighth note is too long? @divClass{float-center} @divEnd -@image{pictures/finale-flat-correct,,,.png} +@sourceimage{finale-flat-correct,,,.png} Unless you are an expert, typographical errors will irk you without being obvious. Many of them will go uncorrected and will still be in the @@ -105,7 +105,7 @@ doubt, measure the difference with a magnifying glass. @divClass{float-right} @divEnd -Next: @ref{problem-statement.html,How not to design software}, +Next: @ref{problem-statement,How not to design software}, or: modeling music notation. |