diff options
| -rw-r--r-- | ChangeLog | 4 | ||||
| -rw-r--r-- | Documentation/user/internals.itely | 2 | ||||
| -rw-r--r-- | NEWS | 84 | ||||
| -rw-r--r-- | mf/parmesan-custodes.mf | 6 |
4 files changed, 46 insertions, 50 deletions
@@ -1,5 +1,9 @@ 2003-07-02 Han-Wen Nienhuys <hanwen@cs.uu.nl> + * mf/parmesan-custodes.mf (dir_down): remove _ from glyph names. + + * NEWS: use complete sentences. + * Documentation/user/introduction.itely (Example applications): add note about databases and lilypond-book. diff --git a/Documentation/user/internals.itely b/Documentation/user/internals.itely index fc6c4e198b..e9b5aef53f 100644 --- a/Documentation/user/internals.itely +++ b/Documentation/user/internals.itely @@ -740,7 +740,7 @@ Music objects and their properties can be accessed and manipulated directly, through the @code{\apply} mechanism. Scheme functions can read and write properties using the functions @code{ly:get-music-property} and @code{ly:set-music-property!}. -6 + The syntax for @code{\apply} @example \apply #@var{func} @var{music} @@ -1,31 +1,27 @@ New features in 1.8 since 1.6 ============================= -* INPUT +** There chord entry code has been completely rewritten. It is now +cleaner and more flexible. -** Completely rewritten support for chord entry. Cleaner and more flexible. +** A new syntax has been added for text entry. -** Text entry is now done in a separate mode, and is more ergonomic -than the previous Scheme texts. +This syntax is more friendly than the old mechanism, and it is +implemented in a more robust and modular way. ** Deeper integration of the input language and Scheme. You can now use LilyPond identifiers in Scheme, and use Scheme expressions instead of LilyPond identifiers. -** Music types cleaned up and Schemified. +** The internal representation of music has been cleaned up completely +converted to Scheme data structure. The representation can optionally +be exported as XML. -** New syntax for chords: +** A new syntax has been added for chords: << PITCHES >> -This is in addition to the < MUSICS > syntax for simultaneous -music. Combined with this is uniform postfix syntax for articulation: - - c8-[-( d8-]-) - -for a beamed slurred pair of eighth notes. - -*NOTE* In version 2.0, this syntax will be changed to +In version 2.0, this syntax will be changed to < PITCHES > for chords @@ -33,73 +29,69 @@ and \simultaneous { .. } for simultaneous music. -** User code evaluation during interpreting. Syntax +** A new uniform postfix syntax for articulation has been introduced. - \applycontext #SCHEME-FUNCTION - -** XML music output. +A beamed slurred pair of eighth notes can be entered as -** Friendly chord-name exception entry. + c8-[-( d8-]-) -** Texts can be put on multimeasure rests, eg. +In version 2.0, postfix syntax will be the only syntax +available, and the dashes will become optional. - R1*20^\markup { "GP" } +** User code may now be executed during interpreting. +The syntax for this code is -* OUTPUT - -** Preliminary Sodipodi/SVG output + \applycontext #SCHEME-FUNCTION -* NOTATION +** New algorithms for chord-name formatting have been installed. This +algorithm can be tuned and has an ergonomic syntax for entering +exceptions. +** Texts may now be put on multimeasure rests, eg. + R1*20^\markup { "GP" } ** Ancient notation ... ?? ... (Jurgen?) -** Completely rewritten text formatting support, implemented in a -completely modular way. - -** Chord name formatting completely rewritten. +** Glissandi can now be printed using the zigzag style. -** Texts can be added to multimeasure rests - -** Zigzagged glissandi - -** Cluster support. Syntax: +** Clusters may now be printed. The syntax is: NOTE-\startCluster .. NOTE-\stopCluster -** Beat grouping indications. Syntax: +** For irregular meters, beat grouping marks can be printed. The +syntax for this is #(set-time-signature 7 8 '(3 2 2)) -** Nested horizontal brackets for music analysis. +** Nested horizontal brackets for music analysis can now be printed. NOTE-\startGroup .. NOTE-\stopGroup -** Gregorian ligatures. - -** Ottava brackets. Syntax: #(set-octavation 1) +** Ottava brackets are now fully supported as a feature. +The syntax is -** Metronome markings. + #(set-octavation 1) -** Horizontal fingerings on chords. +** Metronome markings are printed when a +\tempo command is processed. -** Tuning of various font glyphs +** Fingerings can be horizontally on chords. -** Nested percent style repeats +** The appearance of various glyphs has been fine-tuned -* OTHER +** Different types of percent style repeats may now be nested -** More advanced emacs support +** The emacs support has been extended. -** Completely revised manual, tutorial, and examples section +** The manual has been completely revised and extended manual. diff --git a/mf/parmesan-custodes.mf b/mf/parmesan-custodes.mf index 047ba69f5c..6c76319957 100644 --- a/mf/parmesan-custodes.mf +++ b/mf/parmesan-custodes.mf @@ -229,15 +229,15 @@ def custos_vaticana(expr verbose_name, internal_name, ly_name, enddef; % custos vaticana, stem up, between staff lines -custos_vaticana("Custos Ed. Vat.", "vaticana-u0", "vaticana_u0", +custos_vaticana("Custos Ed. Vat.", "vaticana-u0", "vaticanau0", dir_up, between_staff_lines); % custos vaticana, stem up, on staff line -custos_vaticana("Custos Ed. Vat.", "vaticana-u1", "vaticana_u1", +custos_vaticana("Custos Ed. Vat.", "vaticana-u1", "vaticanau1", dir_up, on_staff_line); % custos vaticana, stem up, anywhere -custos_vaticana("Custos Ed. Vat.", "vaticana-u2", "vaticana_u2", +custos_vaticana("Custos Ed. Vat.", "vaticana-u2", "vaticanau2", dir_up, anywhere); % custos vaticana, stem down, between staff lines |