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authorHan-Wen Nienhuys <hanwen@xs4all.nl>1998-05-07 00:58:51 +0200
committerHan-Wen Nienhuys <hanwen@xs4all.nl>1998-05-07 00:58:51 +0200
commit95de6911a5cd1f90dfcd72ec798f089f6522f50f (patch)
tree3007b02e324d5f21c38239714662e9e0321064b7 /mf/README
parenta929454acf1e106f27d61fc3e4ec65962435b12a (diff)
release: 0.1.62
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-This is a font of music symbols. All MF sources are original. The
-symbols are modelled after various editions of music, notably
-
- - Baerenreiter
- - Hofmeister
- - Breitkopf
- - Durand & C'ie
-
-The best references on Music engraving are [Wanske] and [Ross], some
-of their insights have also been used. Although a matter of taste,
-I'd say that Baerenreiter has the finest typography of all.
-
-Traditional engraving uses a set of 9 standardised sizes for Staffs
-(running from 0 to 8).
-
-I tried measuring those (helped by a magnifying glass), and I get the
-staffsizes in the following table. One should note that these are
-estimates, so I think there could be a measuring error of ~ .5 pt.
-Moreover [Ross] states that not all engravers use exactly those sizes.
-
-Staffsize Numbers Name
-
-26.2pt No. 0
-22.6pt No. 1 Giant/English
-21.3pt No. 2 Giant/English
-19.9pt No. 3 Regular, Ordinary, Common
-19.1pt No. 4 Peter
-17.1pt No. 5 Large middle
-15.9pt No. 6 Small middle
-13.7pt No. 7 Cadenza
-11.1pt No. 8 Pearl
-
-
-This table is partially taken from [Ross]. Most music is set in No.3,
-but the papersizes usually are bigger than standard printer paper
-(such as A4). If you plot these, you'll notice that the sizes (With
-exception of 26) almost (but not quite) form a arithmetic progression.
-
-[Ross] states that the dies (the stamps to make the symbols) come in
-12 different sizes.
-
+This is a font of music symbols. All MF sources are original. Most
+of the doco is in comments in the MF code, and in
+Documentation/tex/fonts.doc