Run scripts/auxiliar/update-with-convert-ly.sh -f 2.19.20

Then revert Documentation/snippets/*.ly

4 files changed, 75 insertions, 75 deletions

diff --git a/Documentation/hu/essay/engraving.itely b/Documentation/hu/essay/engraving.itely
index 618ec88a10..223f9606e1 100644
--- a/Documentation/hu/essay/engraving.itely
+++ b/Documentation/hu/essay/engraving.itely
@@ -371,22 +371,22 @@ global = {
     \new Staff \with {
       \magnifyStaff #2/3
     }
-    \relative c' {
+    \relative {
       \global
       \set Staff.instrumentName = #"Violin"
-      c8.(\f^> b16 c d) ees8.(^> d16 c b)
+      c'8.(\f^> b16 c d) ees8.(^> d16 c b)
       g8.(^> b16 c ees) g8-.^> r r
       R2.
     }
     \new PianoStaff <<
       \set PianoStaff.instrumentName = #"Piano"
-      \new Staff \relative c' {
+      \new Staff \relative {
         \global
         s2.
-        s4. s8 r8 r16 <c f aes c>
+        s4. s8 r8 r16 <c' f aes c>
         <c f aes c>4.^> <c ees g>8 r r
       }
-      \new Staff \relative c {
+      \new Staff \relative {
         \global
         \clef "bass"
         <<
@@ -464,7 +464,7 @@ How do we actually make formatting decisions?  In other words, which
 of the three configurations should we choose for the following slur?
 
 @lilypond
-\relative c {
+\relative {
   \clef bass
   \once \override Slur.positions = #'(1.5 . 1)
   e8[( f] g[ a b d,)] r4
@@ -504,7 +504,7 @@ has given each one a score in @q{ugly points}.  The first example gets
 15.39 points for grazing one of the noteheads:
 
 @lilypond
-\relative c {
+\relative {
   \clef bass
   \once \override Slur.positions = #'(1.5 . 1)
   e8[(_"15.39" f] g[ a b d,)] r4
@@ -518,7 +518,7 @@ side, plus another 2 points because the slur ascends while the melody
 descends for a total of 13.08 ugly points:
 
 @lilypond
-\relative c {
+\relative {
   \clef bass
   \once \override Slur.positions = #'(2 . 3)
   e8[(_"13.08" f] g[ a b d,)] r4
@@ -682,24 +682,24 @@ measures 28--29, as shown here with Finale first and LilyPond second:
 @lilypond[staffsize=19.5,line-width=14\cm]
 global = { \key g \minor }
 
-partI = \relative c' {
+partI = \relative {
   \voiceOne
-  fis8 d' ees g, fis4 g
+  fis'8 d' ees g, fis4 g
   r8 a16 bes c8 bes16 a d8 r r4
 }
 
-partII = \relative c' {
+partII = \relative {
   \voiceTwo
-  d4 r4 r8 d'16 c bes8 c16 d
+  d'4 r4 r8 d'16 c bes8 c16 d
   ees8 d c ees a, r r4
 }
 
-partIII = \relative c' {
+partIII = \relative {
   \voiceOne
-  r2 r8 d ees g, fis4 g r8 a16 bes c8 bes16 a
+  r2 r8 d' ees g, fis4 g r8 a16 bes c8 bes16 a
 }
 
-partIV = \relative c {
+partIV = \relative {
   \voiceTwo
   d4 r r2
   r8 d ees g, fis4 a
@@ -987,16 +987,16 @@ consider a more complicated musical example:
 
 \new PianoStaff <<
   \new Staff = "RH" <<
-    \new Voice = "I" \relative c''' {
+    \new Voice = "I" \relative {
       \time 3/4
       \voiceOne
-      \tuplet 7/6 { g8 g g g g g g }
+      \tuplet 7/6 { g''8 g g g g g g }
       \oneVoice
       r4 <b,, fis' g bes> r4\fermata
     }
-    \new Voice = "II" \relative c' {
+    \new Voice = "II" \relative {
       \voiceTwo
-      c4
+      c'4
       \tuplet 5/4 {
         <c ees>8 f g
         \change Staff = "LH" \oneVoice
@@ -1273,8 +1273,8 @@ chord has all directions up (right).
 
 @lilypond[quote,ragged-right]
 \score {
-  \relative c' {
-    \stemDown <e g b>4_>-\arpeggio
+  \relative {
+    \stemDown <e' g b>4_>-\arpeggio
     \override Arpeggio.direction = #RIGHT
     \stemUp <e g b>4^>-\arpeggio
   }
@@ -1343,11 +1343,11 @@ note head symbol is changed during the music fragment.
                   ((-2) (make-smaller-markup (make-bold-markup "2")))
                   (else "bla")))))))))
 
-\new Voice \relative c' {
+\new Voice \relative {
   \stemUp
   \set autoBeaming = ##f
   \time 2/4
-  <d f g>4
+  <d' f g>4
   \once \override NoteHead.stencil = #note-head::brew-ez-stencil
   \once \override NoteHead.font-size = #-7
   \once \override NoteHead.font-family = #'sans
@@ -1562,9 +1562,9 @@ LilyPond, version @version{}:
 @lilypond[staffsize=14.3,line-width=15.9\cm]
 global = {\key g \minor}
 
-partI = \relative c' {
+partI = \relative {
   \voiceOne
-  fis8 d' ees g, fis4 g
+  fis'8 d' ees g, fis4 g
   r8 a16 bes c8 bes16 a d8 r r4
   r2 r8 d16 ees f8 ees16 d
   ees4 ~ 16 d c bes a4 r8 ees'16 d
@@ -1573,9 +1573,9 @@ partI = \relative c' {
   a2 g\fermata \bar "|."
 }
 
-partII = \relative c' {
+partII = \relative {
   \voiceTwo
-  d4 r4 r8 d'16 c bes8 c16 d
+  d'4 r4 r8 d'16 c bes8 c16 d
   ees8 d c ees a, r r4
   r8 fis16 g a8 g16 fis g2 ~
   2 r8 d' ees g,
@@ -1583,16 +1583,16 @@ partII = \relative c' {
   bes4. <g b>8 <a c> r <d, g> r
   <ees g>4 <d fis> d2
 }
-partIII = \relative c' {
+partIII = \relative {
   \voiceOne
-  r2 r8 d ees g, fis4 g r8 a16 bes c8 bes16 a
+  r2 r8 d' ees g, fis4 g r8 a16 bes c8 bes16 a
   bes2 ~ 8 b16 a g8 a16 b
   c4 r r2
   R1
   r8 d ees g, fis4 g
   r8 a16 bes c8 bes16 a b2
 }
-partIV = \relative c {
+partIV = \relative {
   \voiceTwo
   d4 r r2
   r8 d ees g, fis4 a
diff --git a/Documentation/hu/learning/common-notation.itely b/Documentation/hu/learning/common-notation.itely
index 860b5bebbe..b87158f529 100644
--- a/Documentation/hu/learning/common-notation.itely
+++ b/Documentation/hu/learning/common-notation.itely
@@ -987,11 +987,11 @@ megtanultunk a dallam és szöveg összekapcsolásáról:
 @c but the example is long enough to avoid looking strange.
 @lilypond[verbatim,quote,noragged-right]
 <<
-  \relative c' {
+  \relative {
     \key g \major
     \time 3/4
     \partial 4
-    d4 g4 g a8( b) g4 g4
+    d'4 g4 g a8( b) g4 g4
     b8( c) d4 d e4 c2
   }
   \addlyrics {
@@ -1042,20 +1042,20 @@ mely Händel @notation{Júdás Makkabeus} c. oratóriumából való:
 
 @lilypond[verbatim,quote]
 <<
-  \relative c'' {
+  \relative {
     \key f \major
     \time 6/8
     \partial 8
-    c8 c([ bes]) a a([ g]) f f'4. b, c4.~ 4
+    c''8 c([ bes]) a a([ g]) f f'4. b, c4.~ 4
   }
   \addlyrics {
     Let flee -- cy flocks the hills a -- dorn, __
   }
-  \relative c' {
+  \relative {
     \key f \major
     \time 6/8
     \partial 8
-    r8 r4. r4 c8 a'([ g]) f f([ e]) d e([ d]) c bes'4
+    r8 r4. r4 c'8 a'([ g]) f f([ e]) d e([ d]) c bes'4
   }
   \addlyrics {
     Let flee -- cy flocks the hills a -- dorn,
diff --git a/Documentation/hu/learning/fundamental.itely b/Documentation/hu/learning/fundamental.itely
index ebfff9dc3b..100f69c5a4 100644
--- a/Documentation/hu/learning/fundamental.itely
+++ b/Documentation/hu/learning/fundamental.itely
@@ -774,12 +774,12 @@ Leginkább viszont akkor van szükségünk többszörös szólamokra, amikor a h
 @c The following should appear as music without code
 @c The three voice styles should be defined in -init
 @lilypond[quote,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
   \key aes \major
   <<
     {  % 1. szólam
       \voiceOneStyle
-      c2 aes4. bes8
+      c''2 aes4. bes8
     }
   \\  % 2. szólam
     { \voiceTwoStyle
@@ -952,10 +952,10 @@ The red diamond-shaped notes demonstrate that the main melody is now in a single
 permitting a phrasing slur to be drawn over them.
 
 @lilypond[quote,ragged-right,verbatim]
-\new Staff \relative c' {
+\new Staff \relative {
   \voiceOneStyle
   % A következő hangok monofónok
-  c16^( d e f
+  c'16^( d e f
   % Szimultán rész három szólammal
   <<
     % Continue the main voice in parallel
@@ -1009,11 +1009,11 @@ Létrehozhatunk többszörösen beágyazott polifón szerkezetet is, és ha a sz
 A szólamokat akkor érdemes így írni, ha a zene csak egy kis része polifón. Viszont amikor az egész ötvonalas kotta nagyrésze polifón, egyszerűbb, ha többszörös szólamokat  használunk mindenütt, --  ritkított hangokkal, hogy átlépjük azokat a részeket, ahol a szólamok  üresek. Az alábbi példa ezt mutatja:
 
 @lilypond[quote,ragged-right,verbatim]
-\new Staff \relative c' <<
+\new Staff \relative <<
   % Initiate first voice
   \new Voice {
     \voiceOne
-    c16^( d e f g4 f e | d2 e2) |
+    c'16^( d e f g4 f e | d2 e2) |
   }
   % Initiate second voice
   \new Voice {
@@ -1096,10 +1096,10 @@ name assigned to the Voice.
 
 @lilypond[quote,verbatim,fragment]
 <<
-  \new Voice = "one" \relative c'' {
+  \new Voice = "one" \relative {
     \autoBeamOff
     \time 2/4
-    c4 b8. a16 g4. f8 e4 d c2
+    c''4 b8. a16 g4. f8 e4 d c2
   }
   \new Lyrics \lyricsto "one" {
     No more let sins and sor -- rows grow.
@@ -1814,13 +1814,13 @@ because we omitted the context name.
 
 @lilypond[quote,verbatim,ragged-right]
 <<
-  \new Staff \relative c'' {
+  \new Staff \relative {
     \set Staff.instrumentName = #"Soprano"
-    c4 c
+    c''4 c
  }
-  \new Staff \relative c' {
+  \new Staff \relative {
   \set instrumentName = #"Alto"  % Wrong!
-  d4 d
+  d'4 d
  }
 >>
 @end lilypond
@@ -1862,9 +1862,9 @@ So this turns off extra naturals in one staff:
   \new Staff \relative {
     ais'4 aes
   }
-  \new Staff \relative c'' {
+  \new Staff \relative {
     \set Staff.extraNatural = ##f
-    ais4 aes
+    ais'4 aes
   }
 >>
 @end lilypond
@@ -1877,9 +1877,9 @@ and this turns them off in all staves:
   \new Staff \relative {
     ais'4 aes
   }
-  \new Staff \relative c'' {
+  \new Staff \relative {
     \set Score.extraNatural = ##f
-    ais4 aes
+    ais'4 aes
   }
 >>
 @end lilypond
@@ -2106,14 +2106,14 @@ range from that voice only:
   \new Voice \with {
     \consists "Ambitus_engraver"
   }
-  \relative c'' {
+  \relative {
     \voiceOne
-    c a b g
+    c'' a b g
   }
   \new Voice
-  \relative c' {
+  \relative {
     \voiceTwo
-    c e d f
+    c' e d f
   }
 >>
 @end lilypond
@@ -2129,14 +2129,14 @@ the notes in all the voices on that staff:
   }
   <<
   \new Voice
-  \relative c'' {
+  \relative {
     \voiceOne
-    c a b g
+    c'' a b g
   }
   \new Voice
-  \relative c' {
+  \relative {
     \voiceTwo
-    c e d f
+    c' e d f
   }
 >>
 @end lilypond
@@ -2444,17 +2444,17 @@ bassMusic = \relative {
   r4 d'2 cis4 | b4. b8 fis2 | e4 d a'2 |
 }
 bassWords = \sopranoWords
-upper = \relative a' {
+upper = \relative {
   \clef "treble"
   \global
-  r4 <a d fis>2 <a e' a>4
+  r4 <a' d fis>2 <a e' a>4
   <d fis d'>4. <d fis d'>8 <a d a'>2
   <g cis g'>4 <a d fis> <a cis e>2
 }
-lower = \relative c, {
+lower = \relative {
   \clef "bass"
   \global
-  <d d'>4 <d d'>2 <cis cis'>4
+  <d, d'>4 <d d'>2 <cis cis'>4
   <b b'>4. <b' b'>8 <fis fis'>2
   <e e'>4 <d d'> <a' a'>2
 }
@@ -2673,17 +2673,17 @@ bassMusic = \relative {
   r4 d'2 cis4 | b4. b8 fis2 | e4 d a'2 |
 }
 bassWords = \sopranoWords
-upper = \relative a' {
+upper = \relative {
   \clef "treble"
   \global
-  r4 <a d fis>2 <a e' a>4
+  r4 <a' d fis>2 <a e' a>4
   <d fis d'>4. <d fis d'>8 <a d a'>2
   <g cis g'>4 <a d fis> <a cis e>2
 }
-lower = \relative c, {
+lower = \relative {
   \clef "bass"
   \global
-  <d d'>4 <d d'>2 <cis cis'>4
+  <d, d'>4 <d d'>2 <cis cis'>4
   <b b'>4. <b' b'>8 <fis fis'>2
   <e e'>4 <d d'> <a' a'>2
 }
@@ -3016,9 +3016,9 @@ macros, or user-defined commands) for tweaks:
 dolce = \markup { \italic \bold dolce }
 padText = { \once \override TextScript.padding = #5.0 }
 fthenp=_\markup { \dynamic f \italic \small { 2nd } \hspace #0.1 \dynamic p }
-violin = \relative c'' {
+violin = \relative {
   \repeat volta 2 {
-    c4._\dolce b8 a8 g a b
+    c''4._\dolce b8 a8 g a b
     \padText
     c4.^"hi there!" d8 e' f g d
     c,4.\fthenp b8 c4 c-.
@@ -3040,9 +3040,9 @@ variables.  It's a lot harder to read, especially
 the last line.
 
 @example
-violin = \relative c'' @{
+violin = \relative @{
   \repeat volta 2 @{
-    c4._\markup @{ \italic \bold dolce @} b8 a8 g a b
+    c''4._\markup @{ \italic \bold dolce @} b8 a8 g a b
     \once \override TextScript.padding = #5.0
     c4.^"hi there!" d8 e' f g d
     c,4.\markup @{ \dynamic f \italic \small @{ 2nd @}
@@ -3170,7 +3170,7 @@ This command sets the property @code{skipBars} in the
 this option to the music above, leads to the following result
 
 @lilypond[quote,ragged-right]
-\transpose f c' \relative c {
+\transpose f c' \relative {
   \time 2/4
   \set Score.skipBars = ##t
   R2*3
diff --git a/Documentation/hu/usage/running.itely b/Documentation/hu/usage/running.itely
index 4b353eafbc..497ce43d0d 100644
--- a/Documentation/hu/usage/running.itely
+++ b/Documentation/hu/usage/running.itely
@@ -558,8 +558,8 @@ A megoldás a @code{\repeat} és a @code{\relative} parancsok felcserélése, a
 következő módon:
 
 @lilypond[quote,verbatim]
-\relative c' {
-  \repeat unfold 2 { c d e f }
+\relative {
+  \repeat unfold 2 { c' d e f }
 }
 @end lilypond