Doc-hu: Essay: remove superfluous files

3 files changed, 0 insertions, 1506 deletions

diff --git a/Documentation/hu/essay/colorado.bib b/Documentation/hu/essay/colorado.bib
deleted file mode 100644
index 614e0cfc30..0000000000
--- a/Documentation/hu/essay/colorado.bib
+++ /dev/null
@@ -1,500 +0,0 @@
-%
-% title =University of Colorado Engraving music bibliography
-% author =Alyssa Lamb (edited & converted to bibtex by HWN)
-%
-
-@Book{jacob47,
-  author = {Jacob, Archibald},
-  year = 1947,
-  title = {Musical handwriting : or, How to put music on paper : A handbook for all musicians, professional and amateur},
-  address = {London},
-  publisher = {Oxford University Press},
-  note = {subject: Musical notation},
-}
-
-@Book{brandt,
-  author = {Carl Brandt and Clinton Roemer},
-  title = {Standardized Chord Symbol Notation},
-  address = {Sherman Oaks, CA},
-  publisher = {Roerick Music Co.},
-  note = {subject: musical notation},
-}
-
-@Book{johnson46,
-  author = {Johnson, Harold M},
-  year = 1946,
-  title = {How to write music manuscript an exercise-method handbook for the  music student, copyist, arranger, composer, teacher},
-  publisher = {Carl Fischer, Inc.},
-  address = {New York},
-  note = {subject: Musical notation --Handbooks, manuals},
-}
-
-@Book{sadie90,
-  title = {Music Printing & Publishing},
-  author = {Donald W. Krummel \& Stanley Sadie},
-  year = 1990,
-  publisher = {Macmillan Press},
-  note = {subject: musical notation},
-}
-
-@Book{foss,
-  author = {Foss, Hubert},
-  title = {Music Printing},
-  series = {Practical Printing and Binding},
-  address = {London},
-  publisher = {Oldhams Press Ltd., Long Acre},
-  note = {subject: musical notation},
-}
-
-@Book{steele03,
-  author = {Steele, Robert},
-  year = 1903,
-  title = {The Earliest English Music Printing},
-  address = {London},
-  note = {subject: history of music printing and engraving},
-}
-
-@Book{austin,
-  author = {Austin, Ernest},
-  title = {The Story of Music Printing},
-  address = {London},
-  publisher = {Lowe and Brydone Printers, Ltd.},
-  note = {subject: history of music printing and engraving},
-}
-
-@Book{unknown_author,
-  author = {unknown author},
-  title = {Pictorial History of Music Printing},
-  address = {Elhardt, Indiana},
-  publisher = {H. and A. Selmer, Inc.},
-  note = {subject: history of music printing and engraving},
-}
-
-@Book{wintermitz55,
-  author = {Wintermitz, Emmanuel},
-  year = 1955,
-  title = {Musical Autographs from Monteverdi to Hindemith},
-  address = {Princeton},
-  publisher = {Princeton University Press},
-  note = {subject: history of music printing and engraving},
-}
-
-@Book{novello47,
-
-  author = {Novello, A},
-  year = 1847,
-  title = {Some Account of the Methods of Musick Printing, with Specimens of the Various Sizes of Moveable Types and of Other Matters},
-  address = {London},
-  note = {subject: history of music printing and engraving},
-}
-
-@Book{chrsander18,
-  author = {Chrsander, F.},
-  year = {18??},
-  title = {A Sketch of the HIstory of Music printing, from the 15th to the 16th century},
-  note = {subject: history of music printing and engraving},
-}
-
-@Article{squire1897,
-  author = {Squire, W},
-  year = 1897,
-  title = {Notes on Early Music Printing},
-  journal = {Bibliographica},
-  volume = {iii},
-  number = 99,
-  note = {subject: history of music printing and engraving},
-}
-
-@Article{meyer35,
-  author = {Meyer, K. and O'Meara, J},
-  year = 1935,
-  title = {The Printing of Music, 1473-1934},
-  journal = {The Dolphin},
-  volume = {ii},
-  pages = {171--207},
-  note = {subject: history of music printing and engraving},
-}
-
-% 4th ver.,
-@Article{pattison39,
-  author = {Pattison, B},
-  year = 1939,
-  title = {Notes on Early Music Printing},
-  journal = {The Library},
-  note = {subject: history of music printing and engraving},
-  volume = {xix},
-  pages = {389-421},
-}
-
-@Book{king64,
-  author = {King, H},
-  year = 1964,
-  title = {Four Hundred Years of Music Printing},
-  address = {London},
-  note = {subject: history of music printing and engraving},
-}
-
-%(Rev.1961).
-@Book{deutsch46,
-  author = {Deutsch, O.F.},
-  year = 1946,
-  title = {Music Publishers' Numbers},
-  address = {London},
-  note = {subject: history of music printing and engraving},
-}
-
-@Book{marco62,
-  author = {Marco, G.A},
-  year = 1962,
-  title = {The Earliest Music Printers of Continental Europe: a Checklist of Facsimiles Illustrating Their Work},
-  address = {Charlottesville, Virginia},
-  note = {subject: history of music printing and engraving},
-}
-
-@Article{kinkeldey32,
-  author = {Kinkeldey, O},
-  year = 1932,
-  title = {Music And Music Printing in Incunabula},
-  journal = {Papers of the Bibliographical Society of America},
-  volume = {xxvi},
-  pages = {89-118},
-  note = {subject: history of music printing and engraving},
-}
-
-@Book{oldman34,
-  author = {Oldman, C.B},
-  year = 1934,
-  title = {Collecting Musical First Editions},
-  address = {London},
-  note = {subject: history of music printing and engraving},
-}
-
-@Book{carter34,
-  author = {Carter, J},
-  year = 1934,
-  title = {New Paths in Book Collecting},
-  address = {London},
-  note = {subject: history of music printing and engraving},
-}
-
-@Book{krummel58,
-  author = {Krummel, D.W.},
-  year = 1958,
-  month = 9,
-  title = {Graphic Analysis in Application to Early American Engraved Music},
-  journal = {Notes},
-  volume = {xvi},
-  pages = 213,
-  note = {subject: history of music printing and engraving},
-}
-
-@Book{krummel71,
-  author = {Krummel, D.W},
-  year = 1971,
-  title = {Oblong Format in Early Music Books},
-  journal = {The Library},
-  volume = {5th ser., xxvi},
-  pages = 312,
-  note = {subject: history of music printing and engraving},
-}
-
-@Book{king73,
-  author = {King, A.H},
-  year = 1973,
-  title = {The 50th Anniversary of Music Printing},
-}
-
-@Book{rastall82,
-  author = {Rastall, Richard},
-  year = 1982,
-  title = {The notation of Western music : an introduction},
-  address = {New York, N.Y.},
-  publisher = {St. Martin's Press},
-  note = {Musical notation},
-}
-
-@Book{tappolet47,
-  author = {Tappolet, Willy},
-  year = 1947,
-  title = {La Notation Musicale},
-  address = {Paris},
-  note = {subject: general notation},
-  publisher = {Neuchâtel},
-}
-
-@Book{williams03,
-  author = {Williams, C.F. Abdy},
-  year = 1903,
-  title = {The Story of Notation},
-  address = {New York},
-  publisher = {Charles Scribner's Sons},
-  note = {subject: general notation},
-}
-
-@Book{apel53,
-  author = {Apel, Willi},
-  year = 1953,
-  title = {The notation of polyphonic music, 900-1600},
-  address = {Cambridge, Mass},
-  institution= {Mediaeval Academy of America},
-  note = {Musical notation},
-}
-
-@Book{berger93,
-  author = {Berger, Anna Maria Busse},
-  year = 1993,
-  title = {Mensuration and proportion signs : origins and evolution},
-  address = {Oxford, England},
-  publisher = {Clarendon Press},
-  scnd_address = {New York},
-  scnd_publisher = {Oxford University Press},
-  note = {subject: early notation},
-}
-
-@Book{parrish57,
-  author = {Parrish, Carl},
-  year = 1957,
-  title = {The notation of medieval music},
-  address = {New York},
-  publisher = {Norton},
-  note = {Musical notation},
-}
-
-@Book{parrish46,
-  author = {Parrish, Carl},
-  year = 1946,
-  title = {The Notation of Medieval Music},
-  address = {New York},
-  publisher = {Carl Fischer, Inc.},
-  note = {subject: early notation},
-}
-
-@Book{patch49,
-  author = {Patch, Harry},
-  year = 1949,
-  title = {Genesis of a Music},
-  address = {Madison},
-  publisher = {University of Wisconsin Press},
-  note = {subject: early notation},
-}
-
-@Book{cage69,
-  author = {Cage, John},
-  year = 1969,
-  title = {Notations},
-  address = {New York},
-  publisher = {Something Else Press},
-  note = {Music, Manuscripts, Facsimiles.
-  Facsimiles of holographs from the Foundation for Contemporary
-  Performance Arts, with text by 269 composers, but rearranged using
-  chance operations.,V)},
-}
-
-@Book{gaburo77,
-  author = {Gaburo, Virginia},
-  year = 1977,
-  title = {Notation},
-  publisher = {Lingua Press},
-  address = {La Jolla, California},
-  note = {A Lecture about notation, new ideas about},
-}
-
-@Book{risatti75,
-  author = {Risatti, Howard},
-  year = 1975,
-  title = {New Music Vocabulary},
-  address = {Urbana, Illinois},
-  publisher = {University of Illinois Press},
-  note = {A Guide to Notational Signs for Contemporary Music},
-}
-
-@Book{cowell30,
-  author = {Cowell, Henry},
-  year = 1930,
-  title = {New Musical Resources},
-  address = {New York},
-  publisher = {Alfred A. Knopf, Inc.},
-  note = {subject: 20th century notation},
-}
-
-@Article{cowell27,
-  author = {Cowell, Henry},
-  year = 1927,
-  title = {Our Inadequate Notation},
-  journal = {Modern Music},
-  volume = 4,
-  number = 3,
-  note = {subject: 20th century notation},
-}
-
-@Book{bowers92,
-  author = {Bowers, Roger},
-  year = 1992,
-  title = {Music & Letters},
-  volume = 73,
-  number = 3,
-  month = {August},
-  pages = {347(52)},
-  note = {Some reflection upon notation and proportion in Monteverdi's mass and vespers},
-}
-
-@Book{brainard92,
-  author = {Brainard, Paul},
-  year = 1992,
-  title = {Current Musicology},
-  number = 50,
-  month = {July-Dec},
-  pages = {21(26)},
-  note = {Proportional notation in the music of Schutz and his contemporaries in the 17th Century},
-}
-
-@Book{monelle89,
-  author = {Monelle, Raymond},
-  year = 1989,
-  title = {Comparative Literature},
-  volume = 41,
-  number = 3,
-  month = {Summer},
-  pages = {252(18)},
-  note = {Music notation and the poetic foot},
-}
-
-@Book{pinegar93,
-  author = {Pinegar, Sandra},
-  year = 1993,
-  title = {Current Musicology},
-  number = 53,
-  month = {July},
-  pages = {99(10)},
-  note = {The seeds of notation and music paleography.},
-}
-
-@Book{smith90,
-  author = {Smith, Norman E},
-  year = 1990,
-  title = {Current Musicology},
-  number = {45-47},
-  month = {Jan-Dec},
-  pages = {283(22)},
-  note = {The notation of fractio modi.},
-}
-
-@Book{treitler92,
-  author = {Treitler, Leo},
-  year = 1992,
-  title = {The Journal of Musicology},
-  volume = 10,
-  number = 2,
-  month = {Spring},
-  pages = {131(61)},
-  note = {The unwritten and written transmission, of medieval chant
-  and the start-up of musical notation.
-  Notational practice developed in medieval music to address the written tradition for chant which interacted with the unwritten vocal tradition.},
-}
-
-@Book{west94,
-  author = {West, M.L},
-  year = 1994,
-  title = {Music & Letters},
-  volume = 75,
-  number = 2,
-  month = {May},
-  pages = {161(19)},
-  note = {The Babylonian musical notation and the Hurrian melodic texts.
-  A new way of deciphering the ancient Babylonian musical notation.}
-}
-
-@Book{brown86,
-  author = {Brown, Earle},
-  year = 1986,
-  title = {Musical Quarterly},
-  volume = 72,
-  month = {Spring},
-  pages = {180(22)},
-  note = {The notation and performance of new music.},
-}
-
-@Book{eggleston94,
-  author = {Eggleston, Suzanne},
-  year = 1994,
-  title = {Notes},
-  volume = 51,
-  number = 2,
-  month = {Dec},
-  pages = {657(7)},
-  journal= {New periodicals},
-  note = {A list of new music periodicals covering the period
-  Jun.-Dec. 1994. Includes aims, formats and a description of the
-  contents of each listed periodical. Includes Music Notation News},
-}
-
-@Book{fuller89,
-  author = {Fuller, David},
-  year = 1989,
-  title = {The Journal of Musicology},
-  volume =7,
-  number = 1,
-  month = {Winter},
-  pages = {21(8)},
-  note = {Notes and inegales unjoined: defending a definition. (written-out inequalities in music notation).}
-},
-
-@Book{jones90,
-  author = {Jones, David Evan},
-  year = 1990,
-  title = {Perspectives of New Music},
-  note = {Speech extrapolated. (includes notation)}
-}
-
-@Book{lependorf89,
-  author = {Lependorf, Jeffrey},
-  year = 1989,
-  journal= {Perspectives of New Music},
-  volume = 27,
-  title = {?},
-  number = 2,
-  month = {Summer},
-  pages = {232(20)},
-  note = {Contemporary notation for the shakuhachi: a primer for composers. (Tradition and Renewal in the Music of Japan)},
-}
-
-@Book{rastall93,
-  author = {Rastall, Richard},
-  year = 1993,
-  title = {Music & Letters},
-  volume =74,
-  number = 4,
-  month = {November},
-  pages = {639(2)},
-  note = {Equal Temperament Music Notation: The Ailler-Brennink
-  Chromatic Notation. Results and Conclusions of the Music Notation
-  Refor by the Chroma Foundation (book reviews).},
-}
-
-@Article{francois92,
-  author = {Francois, Jean-Charles},
-  journal = {Perspectives of New Music},
-  volume = {30},
-  number = {1},
-  month = {Winter},
-  pages = {6(15)},
-  year = {1992},
-  note = {subject: Modern music has outgrown notation. While the
-       computer is used to write down music with accuracy never
-       before achieved, the range of modern sounds has surpassed
-       the relevance of the computer...},
-  title = {Writing without representation, and unreadable notation.},
-}
-
-@Book{hamel89,
-  author = {Hamel, Keith A},
-  year = 1989,
-  journal = {Perspectives of New Music},
-  volume = 27,
-  number = 1,
-  month = {Winter},
-  pages = {70(14)},
-  title = {A design for music editing and printing software based
-on notational syntax},
-}
-
diff --git a/Documentation/hu/essay/computer-notation.bib b/Documentation/hu/essay/computer-notation.bib
deleted file mode 100644
index b4d7e1984e..0000000000
--- a/Documentation/hu/essay/computer-notation.bib
+++ /dev/null
@@ -1,660 +0,0 @@
-%
-% title =The music notation with computer bibliography
-% author =Han-Wen Nienhuys
-%
-
-@String{CitH = {Computing and the Humanities}}
-@String{CMJ = {Computer Music Journal}}
-
-@Book{smith73,
-  year = {1973},
-  title = {Editing and Printing Music by Computer},
-  author = {Leland Smith},
-  totalentry = {Journal of Music Theory},
-  volume = {17},
-  pages = {292-309},
-  note = {Gourlay [gourlay86] writes: A discussion of Smith's
-music-printing system SCORE}
-}
-
-@Article{byrd74,
-  year = {1974},
-  title = {A System for Music Printing by Computer},
-  author = {Donald Byrd},
-  journal = {Computers and the Humanities},
-  volume = {8},
-  pages = {161-72},
-}
-
-@Article{ericson75,
-  author = {R. F. Ericson},
-  title = {The DARMS Project: A status report},
-  journal = {Computing in the humanities},
-  year = 1975,
-  volume = 9,
-  number = 6,
-  pages = {291--298},
-  note = {Gourlay [gourlay86] writes: A discussion of the design
-  and potential uses of the DARMS music-description language.}
-}
-
-% Gomberg
-@PhdThesis{gomberg75,
-  year = {1975},
-  title = {A Computer-Oriented System for Music Printing},
-  author = {David A. Gomberg},
-  school = {Washington University},
-}
-
-@Book{gomberg77,
-  title = {A Computer-oriented System for Music Printing},
-  author = {David A.  Gomberg},
-  journal = CitH,
-  volume = {11},
-  month = {march},
-  year = {1977},
-  pages = {63-80},
-  note = {Gourlay [gourlay86] writes: "A discussion of the
-  problems of representing the conventions of musical notation in
-  computer algorithms."}
-}
-
-@TechReport{ornstein83,
-  author = {Ornstein, Severo M. and John Turner Maxwell III},
-  title = {Mockingbird: A Composer's Amanuensis},
-  institution = {Xerox Palo Alto Research Center},
-  address = {3333 Coyote Hill Road, Palo Alto, CA, 94304},
-  number = {CSL-83-2},
-  month = {January},
-  year = {1983}
-}
-
-@Article{ornstein84,
-  author = {Ornstein, Severo M. and John Turner Maxwell III},
-  title = {Mockingbird: A Composer's Amanuensis},
-  journal = {Byte},
-  volume = 9,
-  month = {January},
-  year = { 1984},
-  note = {A discussion of an interactive and graphical computer system
-for music composition}
-}
-
-% byrd
-@PhdThesis{byrd85,
-  year = {1985},
-  title = {Music Notation by Computer},
-  author = {Donald Byrd},
-  school = {Indiana University},
-  note = {Describes the SMUT (sic) system for automated music printout.}
-}
-
-@InProceedings{assayaag86,
-  author = {G. Assayaag and D. Timis},
-  title = {A Toolbox for music notation},
-  booktitle = {Proceedings of the 1986 International Computer Music Conference},
-  year = 1986
-}
-
-@TechReport{roush88,
-  year = {1988},
-  title = {Music Formatting Guidelines},
-  author = {D. Roush},
-  number = {OSU-CISRC-3/88-TR10},
-  institution = {Department of Computer and Information Science, The Ohio State University},
-  note = {Rules on formatting music formulated for use in
-  computers. Mainly distilled from [Ross] HWN},
-}
-
-@Article{byrd94,
-  author = {Donald Byrd},
-  title = {Music Notation Software and Intelligence},
-  journal = {Computer Music Journal},
-  year = 1994,
-  pages = {17--20},
-  volume = 18,
-  number = 1,
-  note = {Byrd (author of Nightingale) shows four problematic
-fragments of notation, and rants about notation programs that try to
-exhibit intelligent behaviour. HWN}
-}
-
-@Article{field-richards93,
-  author = {H.S. Field-Richards},
-  title = {Cadenza: A Music Description Language},
-  journal = CMJ,
-  year = 1993,
-  volume = 17,
-  number = 4,
-  note = {A description through examples of a music entry language.
-Apparently it has no formal semantics.  There is also no
-implementation of notation convertor. HWN}
-}
-
-@Article{bielawa93,
-  author = {Herbert Bielawa},
-  title = {Review of Sibelius 7},
-  journal = CMJ,
-  year = {1993?},
-  note = {A raving review/tutorial of Sibelius 7 for Acorn.  (And did
-they seriously program a RISC chip in ... assembler ?!) HWN}
-}
-
-@Article{sloan93,
-  author = {Donald Sloan},
-  title = {Aspects of Music Representation in HyTime/SMDL},
-  journal = CMJ,
-  year = 1993,
-  volume = 17,
-  number = 4,
-  note = {An introduction into HyTime and its score description variant
-SMDL.  With a short  example that is quite  lengthy in SMDL}
-}
-
-@Article{wiggins93,
-  author = {Geraint Wiggins and Eduardo Miranda and Alaaaan Smaill and Mitch Harris},
-  title = {A Framework for the evaluation of music representation systems},
-  journal = CMJ,
-  year = 1993,
-  volume = 17,
-  number = 3,
-  note = {A categorisation of music representation systems (languages,
-OO systems etc) split into high level and low level expressiveness.
-The discussion of Charm and parallel processing for music
-representation is rather vague. HWN}
-}
-
-@Article{dannenberg93,
-  author = {Roger B. Dannenberg},
-  title = {Music Representation: Issues, Techniques, and Systems},
-  journal = CMJ,
-  year = 1993,
-  volume = 17,
-  number = 3,
-  url = {http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.44.6067},
-  note = {This article  points to some problems and solutions with music
-representation. HWN},
-}
-
-@Article{rothstein93,
-  author = {Joseph Rothstein},
-  title = {Review of Passport Designs' Encore Music Notation Software},
-  journal = CMJ,
-  year = {?},
-}
-
-@Article{belkin94,
-  author = {Alan Belkin},
-  title = {Macintosh Notation Software: Present and Future},
-  journal = CMJ,
-  year = 1994,
-  volume = 18,
-  number = 1,
-  note = {Some music notation systems are analysed for ease of use,
-  MIDI handling.  The article ends with a plea for a standard notation
-  format. HWN},
-}
-
-@InProceedings{montel97,
-  author = {Dominique Montel},
-  title = {La gravure de la musique, lisibilité esthétique, respect de l'oevre},
-  booktitle = {Musique \& Notations},
-  year = 1997,
-  address= {Lyon},
-  editors = {Genevois \& Orlarey}
-}
-
-@Book{casr,
-  note = {Annual editions since 1985, many containing surveys of music typesetting technology. SP},
-  title = {Directory of Computer Assisted Research in Musicology},
-  author = {Walter B Hewlett and Eleanor Selfridge-Field},
-  totalentry = {Menlo Park, CA: Center for Computer Assisted Research in the Humanities},
-}
-
-@Book{selfridge-field97,
-  title = {Beyond MIDI: the handbook of musical codes},
-  editor = {Eleanor Selfridge-Field},
-  publisher = {MIT Press},
-  year = 1997,
-  note = {A description of various music interchange formats.}
-}
-
-@InProceedings{hoos98,
-  title = {The GUIDO Music Notation Format---A Novel Approach
-for Adequately Representing Score-level Music},
-  author = {H. H. Hoos and K. A. Hamel and K. Renz and J. Kilian},
-  booktitle = {Proceedings of International Computer Music Conference},
-  year = 1998,
-  pages = {451--454},
-}
-
-@Article{blostein91,
-  note = {This paper provides an overview of the algorithm used in LIME
-  for spacing individual lines. HWN},
-  year = {1991},
-  title = {Justification of Printed Music},
-  author = {Dorothea Blostein and Lippold Haken},
-  journal = {Communications of the ACM},
-  volume = {J34},
-  number = {3},
-  month = {March},
-  pages = {88-99},
-}
-
-@Article{haken93,
-  year = {1993},
-  title = {The Tilia Music Representation: Extensibility, Abstraction, and Notation Contexts for the Lime Music Editor},
-  author = {Lippold Haken and Dorothea Blostein},
-  journal = {Computer Music Journal},
-  volume = {17},
-  number = {3},
-  pages = {43--58},
-}
-
-@Article{blostein94,
-  author = {Dorothea Blostein and Lippold Haken},
-  title = {The Lime Music Editor: A Diagram Editor Involving Complex
-  Translations},
-  journal = {Software Practice and Experience},
-  year = {1994},
-  volume = {24},
-  number = {3},
-  month = {march},
-  pages = {289--306},
-  note = {A description of various conversions, decisions and issues
-relating to this interactive editor HWN},
-}
-
-@InProceedings{haken95,
-  year = {1995},
-  title = {A New Algorithm for Horizontal Spacing of Printed Music},
-  author = {Lippold Haken and Dorothea Blostein},
-  booktitle = {International Computer Music Conference},
-  address = {Banff},
-  month= {Sept},
-  pages = {118-119},
-  note = {This describes an algorithm which uses springs between
-adjacent columns.},
-}
-
-@InProceedings{bouzaiene98,
-  author = {Nabil Bouzaiene and Loïc Le Gall and Emmanuel Saint-James},
-  title = {Une bibliothèque pour la notation  musicale baroque},
-  booktitle = {EP '98},
-  year = 1998,
-  series = {LNCS},
-  note = {Describes ATYS, an extension to Berlioz, that can mimick
-  handwritten baroque style beams}
-}
-
-@InProceedings{balaban88,
-  author = {M. Balaban},
-  title = {A Music Workstation Based on Multiple Hierarchical Views of Music},
-  booktitle = {Proceedings of the 1988 International Computer Music Conference},
-  year = 1988,
-  address = {San Francisco},
-  organization = {International Computer Music Association}
-}
-
-%
-% MusiCopy
-%
-@TechReport{gourlay87-spacing,
-annote = {Algorithm for generating spacing in one line of (polyphonic) music, tailored for use with MusiCopy. LilyPond uses a variant of it.},
-  year = {1987},
-  title = {Spacing a Line of Music,},
-  author = {John S. Gourlay},
-  number = {OSU-CISRC-10/87-TR35},
-  institution = {Department of Computer and Information Science, The Ohio State University},
-}
-
-@TechReport{parish87,
-  annote = {A brief overview of MusiCopy},
-  year = {1987},
-  title = {MusiCopy: An automated Music Formatting System},
-  author = {Allen Parish and Wael A. Hegazy and John S. Gourlay and Dean K. Roush and F. Javier Sola},
-  totalentry = {OSU-CISRC-10/87-TR29},
-  institution = {Department of Computer and Information Science, The Ohio State University},
-}
-
-@TechReport{gourlay87-formatting,
-  note = {This paper discusses the development of algorithms for the
-formatting of musical scores (from abstract). It also appeared at
-PROTEXT III, Ireland 1986},
-  year = {1987},
-  title = {Computer Formatting of Music},
-  author = {John S. Gourlay and A. Parrish
-and D. Roush and F. Sola and Y. Tien},
-  number = {OSU-CISRC-2/87-TR3},
-  institution = {Department of Computer and Information Science,
-The Ohio State University},
-}
-
-@TechReport{hegazy87,
-  year = {1987},
-  title = {On the Implementation of the MusiCopy Language Processor,},
-  author = {Wael A. Hegazy},
-  number = {OSU-CISRC-10/87-TR34},
-  institution= {Department of Computer and Information Science, The Ohio State University},
-  note = {Describes the "parser" which converts MusiCopy MDL to
-  MusiCopy Simultaneities and columns.
-
-MDL is short for Music Description Language [gourlay86]. It
-accepts music descriptions that are organised into measures filled
-with voices, which are filled with notes. The measures can be arranged
-simultaneously or sequentially.  To address the 2-dimensionality,
-almost all constructs in MDL must be labeled.
-
-MDL uses begin/end markers for attribute values and spanners.
-Rightfully the author concludes that MusiCopy must administrate a
-"state" variable containing both properties and current spanning symbols.
-
-MusiCopy attaches graphic information to the objects constructed in
-the input: the elements of the input are partially complete graphic
-objects.},
-}
-
-@TechReport{hegazy87-breaking-tr,
-  annote = {This generalizes \TeX's breaking algorithm to music. It also
-appeared in Document Manipulation and Typography, J.C. van Vliet (ed)
-1988},
-  year = {1987},
-  title = {Optimal line breaking in music},
-  author = {Wael A. Hegazy and John S. Gourlay},
-  number = {OSU-CISRC-8/87-TR33},
-  institution= {Department of Computer and Information Science, The Ohio State University,},
-}
-
-@InProceedings{hegazy88,
-  author = {Wael A. Hegazy and John S. Gourlay},
-  booktitle = {Proceedings of the International Conference on
-Electronic Publishing, Document Manipulation and Typography. Nice (France)},
-  month = {April},
-  year = 1988,
-  editor = {J. C. van Vliet},
-  publisher = {Cambridge University Press},
-  ISBN = {0-521-36294-6},
-  title = {Optimal line breaking in music},
-}
-
-@TechReport{roush87,
-  note = {User manual of MusiCopy.},
-  year = {1987},
-  title = {Using MusiCopy},
-  author = {Dean K. Roush},
-  number = {OSU-CISRC-18/87-TR31},
-  institution= {Department of Computer and Information Science, The Ohio State University},
-}
-
-@TechReport{parrish87-simultaneities,
-  note = {This note discusses
-  placement of balls, stems, dots which occur at the same moment
-  ("Simultaneity")},
-  year = {1987},
-  title = {Computer Formatting of Musical Simultaneities,},
-  author = {A. Parrish and John S. Gourlay},
-  institution= {Department of Computer and Information Science, The Ohio State University},
-  number = {OSU-CISRC-10/87-TR28},
-}
-
-@TechReport{sola87,
-  note = {Overview of a procedure for generating slurs},
-  year = {1987},
-  title = {Computer Design of Musical Slurs, Ties and Phrase Marks,},
-  author = {F. Sola},
-  institution= {Department of Computer and Information Science, The Ohio State University},
-  number = {OSU-CISRC-10/87-TR32},
-}
-
-@Article{gourlay86,
-  note = {This paper describes the MusiCopy musicsetting system and an input language to go with it.},
-  year = {1986},
-  title = {A language for music printing},
-  author = {John. S. Gourlay},
-  journal = {Communications of the ACM},
-  volume = {29},
-  number = {5},
-  pages = {388--401},
-}
-
-@TechReport{sola87-beams,
-  institution= {Department of Computer and Information Science, The Ohio
-State University},
-  note = {Calculating beam slopes HWN},
-  year = {1987},
-  title = {Design of Musical Beams,},
-  author = {F. Sola and D. Roush},
-  number = {OSU-CISRC-10/87-TR30},
-}
-
-@PhdThesis{page88,
-  note = {Don't ask Stephen for a copy. Write to the Bodleian Library, Oxford, or to the British Library, instead. SP},
-  year = {1988},
-  title = {Computer Tools for Music Information Retrieval},
-  author = {Stephen Dowland Page},
-  school = {Dissertation University of Oxford},
-}
-
-%
-% three part study by John Grøver
-@TechReport{grover89-symbols,
-  author = {John Grøver},
-  title = {A computer-oriented description of Music Notation.  Part I. The Symbol Inventory},
-  institution = {Department of informatics, University of Oslo},
-  year = 1989,
-  number = 133,
-  note = {The goal of this series of reports is a full description of
-music formatting.  As these largely depend on parameters of fonts, it
-starts with a verbose description of music symbols.
-
-The subject is treated backwards: from general rules of typesetting
-the author tries to extract dimensions for characters, whereas the
-rules of typesetting (in a particular font) follow from the dimensions
-of the symbols.  His symbols do not match (the stringent) constraints
-formulated by eg. [wanske]},
-}
-
-@TechReport{grover89-twovoices,
-  author = {John Grøver},
-  title = {A computer-oriented description of Music Notation. Part II: Two Voice Sharing a Staff, Leger Line Rules, Dot Positioning},
-  institution = {Department of informatics, University of Oslo},
-  year = 1989,
-  number = 134,
-  note = {A lot rules for what is in the title are formulated.  The
-descriptions are long and verbose.  The verbosity shows that
-formulating specific rules is not the proper way to approach the
-problem.  Instead, the formulated rules should follow from more
-general rules, similar to [parrish87-simultaneities]},
-}
-
-@TechReport{grover89-accidentals,
-  author = {John Grøver},
-  title = {A computer-oriented description of Music Notation. Part III: Accidental Positioning},
-  institution = {Department of informatics, University of Oslo},
-  year = 1989,
-  number = 135,
-  note = {Placement of accidentals crystallised in an enormous set of
-rules.  Same remarks as for [grover89-twovoices] applies},
-}
-
-@PhdThesis{mueller90,
-  author = {Giovanni Müller},
-  title = {Interaktive Bearbeitung konventioneller Musiknotation},
-  school = {Eidgenössische Technische Hochschule Zürich},
-  year = 1990,
-  note = {This is about engraver-quality typesetting with computers.  It
-accepts the axiom that notation is too difficult to generate
-automatically.  The result is that a notation program should be a
-WYSIWYG editor that allows one to tweak everything.},
-}
-
-@MastersThesis{roelofs91,
-  note = {This dutch thesis describes a monophonic typesetting system,
-  and focuses on the breaking algorithm, which is taken from Hegazy &
-  Gourlay},
-  year = {1991},
-  title = {Een Geautomatiseerd Systeem voor het Afdrukken van Muziek},
-  author = {René Roelofs},
-  school= {Erasmus Universiteit Rotterdam},
-  number= {45327},
-  translation = {``An automated system for printing music'' Master's Thesis Managerial Computer Science.},
-}
-
-@Article{filgueiras93,
-  year = {1993},
-  title = {Representation and manipulation of music documents in SceX},
-  author = {Miguel Filgueiras and José Paulo Leal},
-  journal = {Electronic Publishing},
-  volume = {6},
-  number= {4}, pages = {507--518},
-  url= {http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.17.1480},
-}
-
-@Article{foxley87,
-  note = {A paper on a simple TROFF preprocessor to typeset music.},
-  year = {1987},
-  title = {Music --- A language for typesetting music scores},
-  author = {Eric Foxley},
-  journal = {Software --- Practice and Experience},
-  volume = {17},
-  number = {8},
-  pages = {485-502},
-}
-
-@Article{langston90,
-  note = {This paper deals with some command-line
-  tools for music editing and playback.},
-  year = {1990},
-  title = {Unix music tools at Bellcore},
-  author = {Peter S. Langston},
-  journal = {Software --- Practice and Experience},
-  volume = {20},
-  number= {S1},
-  pages = {47--61},
-}
-
-@Book{filgueiras96,
-  year = {1996},
-  title = {Implementing a Symbolic Music Processing System},
-  author = {Miguel Filgueiras},
-  totalentry = {LIACC, Universidade do Porto, 1996; submitted},
-}
-
-@Book{filgueiras,
-  title = {Some Music Typesetting Algorithms},
-  author = {Miguel Filgueiras},
-  totalentry = {Miguel Filgueiras. ``Some Music Typesetting Algorithms''. LIACC, Universidade do Porto, forthcoming},
-}
-
-@Article{colorado-web,
-  author = {Alyssa Lamb},
-  note = {Webpages about engraving (designed with finale
-users in mind) (sic) HWN},
-  institution = {The University of Colorado},
-  title = {The University of Colorado Music Engraving page},
-  HTML= {http://www.cc.colorado.edu/Dept/MU/Musicpress/},
-  year = {1996}
-}
-
-@Article{tablature-web,
-  note = {FAQ (with answers) about TAB, the ASCII variant of Tablature. HWN},
-  title = {how to read and write tab: a guide to tab notation},
-  author = {Howard Wright},
-  email= {Howard.Wright@ed.ac.uk},
-  url= {http://www.guitartabs.cc/tabfaq.shtml},
-}
-
-@Article{niff-web,
-  note = {Specs for NIFF, a reasonably comprehensive but binary
-  format for notation HWN},
-  year = {1995},
-  title = {NIFF6a Notation Interchange File Format},
-  author = {Cindy Grande},
-  publisher= {Grande Software Inc.},
-  HTML= {http://www.jtauber.com/music/encoding/niff/},
-  ftp = {ftp://blackbox.cartah.washington.edu}
-}
-
-@Article{smdl-web,
-  author = {International Organization for Standardization (ISO)},
-  title = {Information Technology - Document Description and Processing Languages - Standard Music Description Language (SMDL)},
-  pdf = {ftp://ftp.ornl.gov/pub/sgml/wg8/smdl/10743.pdf},
-  number = {ISO/IEC DIS 10743},
-  year = {1992},
-  annote = {SGML instance for describing music.  Very comprehensive in music
-definition, but no support for notation / performance whatsoever (They
-basically say: "You can embed a NIFF or MIDI file")},
-}
-
-@Article{rader96,
-  note = {Describes a system called MusicEase, and explains that it
-  uses "constraints" (which go unexplained) to automatically position
-  various elements.},
-  html = {http://mesastate.edu/~grader/ieeeme.pdf},
-  year = {1996},
-  title = {Creating Printed Music Automatically},
-  author = {Gary M. Rader},
-  journal = {Computer},
-  volume = {29},
-  number= {6},
-  month= {June},
-  pages = {61--69},
-}
-
-@MastersThesis{gall97,
-  author = {Loïc Le Gall},
-  title = {Création d'une police adaptée à la notation musicale baroque},
-  school = {École Estienne},
-  year = 1997,
-}
-
-@TechReport{droettboom00,
-  author = {Michael Droettboom},
-  title = {Study of music Notation Description Languages},
-  year = 2000,
-  url = {http://www.music.mcgill.ca/~ich/research/omr/levy/format.pdf},
-  note = {GUIDO and lilypond compared. LilyPond wins on practical
-issues as usability and availability of tools, GUIDO wins on
-implementation simplicity.},
-}
-
-@PhdThesis{gieseking01,
-  author = {Martin Gieseking},
-  title = {Code-basierte Generierung interaktiver Notengraphik},
-  school = {Universität Osnabrück},
-  year = 2001,
-  isbn = {ISBN 3-923486-30-8}
-}
-
-@Book{hewlett01,
-  editor = {Walter B. Hewlett and Eleanor Selfridge-Field},
-  title = {The Virtual Score; representation, retrieval and restoration},
-  publisher = {MIT Press},
-  series = {Computing in Musicology},
-  year = 2001
-}
-
-@PhdThesis{renz02,
-  author = {Kai Renz},
-  title = {Algorithms and data structures for a music notation system based on GUIDO music notation},
-  school = {Universität Darmstadt},
-  year = 2002
-}
-
-@InBook{powell02,
-  author = {Steven Powell},
-  title = {Music engraving today},
-  publisher = {Brichtmark},
-  year = 2002,
-  note = {A "How Steven uses Finale" manual.}
-}
-
-@InProceedings{nienhuys03,
-  author = {Han-Wen Nienhuys and Jan Nieuwenhuizen},
-  title = {LilyPond, a system for automated music engraving},
-  booktitle = {XIV Colloquium on Musical Informatics},
-  year = 2003,
-  pages = {167--172},
-  address = {Firenze},
-  month = {May}
-}
diff --git a/Documentation/hu/essay/engravingbib.bib b/Documentation/hu/essay/engravingbib.bib
deleted file mode 100644
index 227c46dd96..0000000000
--- a/Documentation/hu/essay/engravingbib.bib
+++ /dev/null
@@ -1,346 +0,0 @@
-% This file cannot be named "engraving.bib" due to a conflict
-% with the existing engraving.itely file.  -gp
-
-%
-% TITLe =The engraving bibliography
-% AUTHOr =Han-Wen Nienhuys
-%
-
-@Book{gould_de11,
-  author = {Elaine Gould},
-  title = {Hals über Kopf},
-  publisher = {Edition Peters},
-  year = {2014},
-  isbn = {ISBN 1843670488},
-  note = {Ein vollständiges Regelwerk für den Modernen Notensatz auf
-  höchstem Niveau, ein Meilenstein der Notationskunde und ein Leitfaden
-  für jeden Musiker, der sich auf diesem Gebiet umfassende Kenntnisse
-  aneignen möchte.},
-}
-
-@Book{gould11,
-  author = {Elaine Gould},
-  title = {Behind Bars},
-  publisher = {Faber Music Ltd.},
-  year = {2011},
-  isbn = {ISBN 0-571-51456-1},
-  note = {A comprehensive guide to the rules and conventions of music
-  notation.  Covering everything from basic themes to complex techniques
-  and providing a comprehensive grounding in notational principles.},
-}
-
-@Book{banter87,
-  author = {Harald Banter},
-  title = {Akkord Lexikon},
-  publisher = {Schott's Söhne},
-  year = {1987},
-  isbn = {ISBN 3-7957-2095-8},
-  note = {Comprehensive overview of commonly used
-  chords.  Suggests (and uses) a unification for all different kinds
-  of chord names.},
-  address = {Mainz, Germany},
-}
-
-@Book{rastall83,
-  author = {Richard Rastall},
-  ALTeditor = {},
-  title = {The Notation of Western Music: an
-  Introduction},
-  publisher = {J. M. Dent \& Sons London},
-  year = {1983},
-  note = {Interesting account of the evolution and origin of common notation starting from neumes, and ending with modern innovations HWN},
-}
-
-@Book{ignatzek95,
-  author = {Klaus Ignatzek},
-  title = {Die Jazzmethode für Klavier 1},
-  publisher = {Schott},
-  year = 1995,
-  note = {This book contains a system for denoting chords that is used in LilyPond.}
-}
-
-@Book{mcgrain91,
-  author = {Mark Mc Grain},
-  title = {Music notation},
-  year = 1991,
-  publisher = {Hal Leonard Publishing Corporation},
-  isbn = {0793508479},
-  note = {HWN writes: `Book' edition of lecture notes from XXX school of
-music.  The book looks like it is xeroxed from bad printouts.  The
-content has nothing you won't find in other books like [read] or
-[heussenstamm].   }
-}
-
-@Book{ross87,
-  author = {Ted Ross},
-  title = {Teach yourself the art of music engraving and processing},
-  publisher = {Hansen House},
-  year = 1987,
-  annote = {This is about engraving, i.e.  professional typesetting.  It contains
-  directions on good typesetting, but the sections on reproduction
-  technicalities, how to use pens and history are interesting.
-  Especially the section on Music Typewriters is amusing HWN},
-  address = {Miami, Florida},
-}
-
-@Book{read78,
-  note = {Sound (boring) review of the various hairy rhythmic notations used by avant-garde composers HWN},
-  year = {1978},
-  title = {Modern Rhythmic Notation},
-  author = {Gardner Read},
-  publisher = {Indiana University Press},
-}
-
-@Book{read79,
-  note = {This is as close to the ``standard''
-reference work for music notation issues as one is likely to get.},
-  title = {Music Notation: a Manual of Modern Practice},
-  author = {Gardner Read},
-  totalentry = {(2nd edition)},
-  year = 1979,
-  publisher = {Taplinger Publishing},
-  address = {New York},
-}
-
-@Book{weaner93,
-  year = {1993},
-  title = {Standard Music Notation Practice},
-  author = {Maxwell Weaner and Walter Boelke},
-  totalentry = {revised edition by Arnold Broido and Daniel Dorff.},
-  publisher = {Music Publisher's Association of the United States Inc},
-  address = {New York}
-}
-
-@Book{wanske88,
-  annote = {I. A very thorough overview of engraving practices of various
-craftsmen. It includes detailed specs of characters, dimensions
-etc. II. a thorough overview of an anonymous (by now antiquated)
-automated system. EDV Means e(lektronischen) D(aten)v(erarbeitung),
-electronic data processing HWN.},
-  year = {1988},
-  title = {Musiknotation --- Von der Syntax des
-Notenstichs zum EDV-gesteuerten Notensatz},
-  author = {Helene Wanske},
-  publisher = {Schott-Verlag},
-  address = {Mainz},
-  isbn = {ISBN 3-7957-2886-x},
-}
-
-@Book{hader48,
-  year = {1948},
-  title = {Aus der Werkstatt eines Notenstechers},
-  author = {Karl Hader},
-  publisher = {Waldheim--Eberle Verlag},
-  address = {Vienna},
-  note = {Hader was a chief-engraver in a Viennese engraving
-workshop. This beautiful booklet was intended as an introduction for
-laymen on the art of engraving.  It contains a step by step, in-depth
-explanation of how to cut and stamp music into zinc plates.  It also
-contains a few compactly formulated rules on musical orthography. Out
-of print.}
-}
-
-@Book{gamble23,
-  author = {William Gamble},
-  title = {Music Engraving and printing.  Historical and Technical Treatise},
-  publisher = {Sir Isaac Pitman & Sons, ltd.},
-  year = 1923,
-  note = {This patriotic book was an attempt to promote and help
-British music engravers.  It is somewhat similar to Hader's
-book [hader48] in scope and style, but Gamble focuses more on
-technical details (Which French punch cutters are worth buying from,
-etc.), and does not treat typographical details, such as optical
-illusions.  It is available as reprint from Da Capo Press, New York
-(1971).}
-}
-
-@Booklet{mpa96,
-  note = {Pamphlet explaining a few  fine points in music font design HWN},
-  year = {1996},
-  title = {Standard music notation specifications for computer programming.},
-  month = {December},
-  author = {mpa},
-  publisher = {MPA},
-}
-
-@Book{donato63,
-  year = {1963},
-  author = {Anthony Donato},
-  title = {Preparing Music Manuscript},
-  address = {Englewood Cliffs, NJ},
-  publisher = {Prentice-Hall},
-}
-
-@Book{karkoshka72,
-  year = {1972},
-  title = {Notation in New Music; a critical guide to interpretation and realisation},
-  author = {Erdhard Karkoshka},
-  translator = {Ruth Koenig},
-  publisher = {Praeger Publishers},
-  address = {New York},
-  note = {(Out of print)},
-}
-
-@Book{roemer84,
-  year = {1984},
-  title = {The Art of Music Copying},
-  author = {Clinton Roemer},
-  publisher = {Roerick music co.},
-  address = {Sherman Oaks (CA)},
-  note = {Out of print. Heussenstamm writes: an instructional manual
-which specializes in methods used in the commercial field. },
-  edition = {2nd},
-}
-
-@Book{rosecrans79,
-  year = {1979},
-  title = {Music Notation Primer},
-  author = {Glen Rosecrans},
-  publisher = {Passantino},
-  address = {New York},
-  note = {Heussenstamm writes: Limited in scope, similar to [Roemer84]}
-}
-
-@Book{donemus82,
-  year = {1982},
-  title = {Uitgeven van muziek},
-  subtitle = {Handleiding voor componisten en copiisten},
-  author = {Donemus},
-  publisher = {Donemus Amsterdam},
-  note = {Manual on copying for composers and copyists at the Dutch
-publishing house Donemus. Besides general comments on copying, it
-also contains a lot of hands-on advice for making performance
-material for modern pieces.}
-}
-
-@Book{vinci,
-  author = {Vinci, Albert C.},
-  title = {Fundamentals of Traditional Music Notation},
-  publisher = {Kent State University Press},
-  year = {1989}
-}
-
-@Book{schirmer90,
-  author = {Schirmer},
-  title = {The G. Schirmer Manual of Style and Usage},
-  address = {New York},
-  publisher = {The G. Schirmer Publications Department},
-  year = {2001},
-  note = {This is the style guide for Schirmer publications. This manual
-specifically focuses on preparing print for publication by
-Schirmer. It discusses many details that are not in other, normal
-notation books. It also gives a good idea of what is necessary to bring
-printouts to publication quality. It can be ordered from the rental department.},
-}
-
-@Book{stone80,
-  year = {1980},
-  title = {Music Notation in the Twentieth Century},
-  author = {Kurt Stone},
-  publisher = {Norton},
-  address = {New York},
-  note = {Heussenstamm writes: The most important book on notation in recent years.},
-}
-
-@Book{heussenstamm87,
-  year = {1987},
-  title = {The Norton Manual of Music Notation},
-  author = {George Heussenstamm},
-  address = {New York},
-  publisher = {Norton},
-  note = {Hands-on instruction book for copying (ie. handwriting) music.  Fairly complete. HWN}
-}
-
-@Book{gerou96,
-  note = {A cheap, concise, alphabetically ordered list of typesetting and music (notation) issues with a rather simplistic attitude but in most cases "good-enough" answers JCN},
-  year = {1996},
-  title = {Essential Dictionary of Music Notation},
-  author = {Tom Gerou and Linda Lusk},
-  publisher = {Alfred Publishing},
-  address = {Van Nuys CA},
-  isbn = {ISBN 0-88284-768-6},
-}
-
-@Book{chlapik87,
-  note = {An clearly written book for the casually interested
-reader. It shows some of the conventions and difficulties in
-printing music HWN},
-  year = {1987},
-  title = {Die Praxis des Notengraphikers},
-  author = {Herbert Chlapik},
-  publisher = {Doblinger},
-  isbn = {ISBN 3-9000 035-96-2},
-}
-
-@Book{barksdale57,
-  author = {Barksdale, A},
-  year = {1957},
-  title = {The Printed Note: 500 Years of Music Printing and Engraving},
-  address = {Toledo, Ohio},
-  month = {January},
-  note = {`The exhibition "The Printed Note" attempts to show the various processes used since the second of the 15th century for reproducing music mechanically ... '. The illustration mostly feature ancient music},
-  publisher = {The Toledo Museum of Art},
-}
-
-@Book{wolf19,
-  author = {Wolf, Johannes},
-  year = {1919},
-  title = {Handbuch der Notationskunde},
-  address = {Leipzig},
-  publisher = {Breitkopf & Hartel},
-  note = {Very thorough treatment (in two volumes) of the history of music notation},
-}
-
-@Book{rosenthal67,
-  author = {Rosenthal, Carl A},
-  year = {1967},
-  title = {A Practical Guide to Music Notation},
-  address = {New York},
-  publisher = {MCA Music},
-  note = {Heussenstamm writes: Informative in terms of traditional notation.  Does not concern score preparation}
-}
-
-@Book{boehm61,
-  author = {Boehm, Laszlo},
-  year = {1961},
-  title = {Modern Music Notation},
-  address = {New York},
-  publisher = {G. Schirmer, Inc.},
-  note = {Heussenstamm writes: A handy compact reference book in basic notation.}
-}
-
-@Book{button20,
-  author = {Button, H. Elliot},
-  title = {System in Musical Notation},
-  publisher = {Novello and co.},
-  year = 1920,
-  address = {London}
-}
-
-@Book{johnson46,
-  author = {Johnson, Harold},
-  title = {How to write music manuscript},
-  publisher = {Carl Fischer, Inc.},
-  year = 1946,
-  address = {New York}
-}
-
-@Book{tyboni94,
-  author = {Börje Tyboni},
-  title = {Noter Handbok I Traditionell Notering},
-  publisher = {Gehrmans Musikförlag},
-  year = 1994,
-  address = {Stockholm},
-  note = {Swedish book on music notation.}
-}
-
-@Book{jaschinski00,
-  editor = {Andreas Jaschinski},
-  title = {Notation},
-  publisher = {Bärenreiter Verlag},
-  year = 2000,
-  number = {BVK1625},
-  annote = {Articles from "Musik in Geschichte und Gegenwart"
-pertaining to notation.  Both "alternative" notation and ancient
-notation is treated in depth, while "common" notation is not.  }
-}