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author | Jean-Charles Malahieude <lilyfan@orange.fr> | 2016-09-17 16:05:08 +0200 |
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committer | Jean-Charles Malahieude <lilyfan@orange.fr> | 2016-09-17 16:05:08 +0200 |
commit | 7738c6fa2759373c05e34b003a7ed521e9382f37 (patch) | |
tree | 98cdc4f57245b8ebccc10891717b71a9a5e5fbb1 /Documentation/extending | |
parent | 50ee6ceadc8e270a5cdf43279097ce3f3f56914f (diff) | |
parent | 39912f861693f1c24b8833e6e9e6ba82eb3e6746 (diff) |
Merge branch 'master' into translation
Diffstat (limited to 'Documentation/extending')
-rw-r--r-- | Documentation/extending/scheme-tutorial.itely | 33 |
1 files changed, 22 insertions, 11 deletions
diff --git a/Documentation/extending/scheme-tutorial.itely b/Documentation/extending/scheme-tutorial.itely index fd0beaa9e1..5984c4f038 100644 --- a/Documentation/extending/scheme-tutorial.itely +++ b/Documentation/extending/scheme-tutorial.itely @@ -777,17 +777,28 @@ twentyFour = #(* 2 twelve) @end example @noindent -which would result in the number 24 being stored in the -LilyPond (and Scheme) variable @code{twentyFour}. - -The usual way to refer to LilyPond variables is to call them using a -backslash, i.e., @code{\twentyFour} (see @ref{LilyPond Scheme syntax}). -Since this creates a copy of the value for most of LilyPond's internal -types, in particular music expressions, music functions don't usually -create copies of material they change. For this reason, music -expressions given with @code{#} should usually not contain material that -is not either created from scratch or explicitly copied rather than -directly referenced. +which would result in the number @emph{24} being stored in the LilyPond +(and Scheme) variable @code{twentyFour}. + +Scheme allows modifying complex expressions in-place and LilyPond makes +use of this @q{in-place modification} when using music functions. But +when music expressions are stored in variables rather than entered +directly the usual expectation, when passing them to music functions, +would be that the original value is unmodified. So when referencing a +music variable with leading backslash (such as @code{\twentyFour}), +LilyPond creates a copy of that variable's music value for use in the +surrounding music expression rather than using the variable's value +directly. + +Therefore, Scheme music expressions written with the @code{#} syntax +should be used for material that is created @q{from scratch} (or that is +explicitly copied) rather than being used, instead, to directly +reference material. + +@seealso +Extending: +@ref{LilyPond Scheme syntax}. + @node Input variables and Scheme @subsection Input variables and Scheme |