Doc: Tracker 1241 - First Patch

Replaced Tex accented chars with UTF-8 ones.

Also made the spacing for each @Book @TechReport @MastersThesis etc similar
in essence to @lilypond examples as there is nothing in the CG about spacing
or indentation. So I used some common sense and applied some consistency
throughout. There may still need be some more consistency applied (i.e. set
and explicit order of each entry (author, index, year, pages etc.).

2 files changed, 606 insertions, 732 deletions

diff --git a/Documentation/essay/colorado.bib b/Documentation/essay/colorado.bib
index 8b78dde21c..c6eb8d5c97 100644
--- a/Documentation/essay/colorado.bib
+++ b/Documentation/essay/colorado.bib
@@ -1,524 +1,499 @@
 %
-% TITLE=University of Colorado Engraving music bibliography
-% AUTHOR=Alyssa Lamb (edited & converted to bibtex by HWN)
+% title =University of Colorado Engraving music bibliography
+% author =Alyssa Lamb (edited & converted to bibtex by HWN)
 %
 
 @Book {jacob47:_music,
-	author ={Jacob, Archibald},
-	year=1947,
-	title = {Musical handwriting : or, How to put music on paper : A handbook for all musicians, professional and amateur},
-	address ={London},
-	publisher ={Oxford University Press}, 
-	note = {subject: Musical notation},
+  author = {Jacob, Archibald},
+  year = 1947,
+  title = {Musical handwriting : or, How to put music on paper : A handbook for all musicians, professional and amateur},
+  address = {London},
+  publisher = {Oxford University Press},
+  note = {subject: Musical notation},
 }
 
 @Book{brandt:_stand_chord_symbol_notat,
-	author ={Carl Brandt and Clinton Roemer},
-	title = {Standardized Chord Symbol Notation},
-	address={Sherman Oaks, CA},
-	publisher={Roerick Music Co.},
-	note ={subject: musical notation},
+  author = {Carl Brandt and Clinton Roemer},
+  title = {Standardized Chord Symbol Notation},
+  address = {Sherman Oaks, CA},
+  publisher = {Roerick Music Co.},
+  note = {subject: musical notation},
 }
 
 @Book{johnson46:_how,
-	author = {Johnson, Harold M},
-	year = 1946,
-	title = {How to write music manuscript an exercise-method handbook for the  music student, copyist, arranger, composer, teacher},
-	publisher={Carl Fischer, Inc.},
-	address= {New York},
-	note = {subject: Musical notation --Handbooks, manuals},
+  author = {Johnson, Harold M},
+  year = 1946,
+  title = {How to write music manuscript an exercise-method handbook for the  music student, copyist, arranger, composer, teacher},
+  publisher = {Carl Fischer, Inc.},
+  address = {New York},
+  note = {subject: Musical notation --Handbooks, manuals},
 }
 
 @Book{sadie90:_music_print_publis,
-	title = {Music Printing & Publishing},
-	author ={Donald W. Krummel \& Stanley Sadie},
-	year = 1990,
-	publisher= {Macmillan Press},
-	note ={subject: musical notation},
+  title = {Music Printing & Publishing},
+  author = {Donald W. Krummel \& Stanley Sadie},
+  year = 1990,
+  publisher = {Macmillan Press},
+  note = {subject: musical notation},
 }
 
 @Book{foss:_music_print,
-	author={Foss, Hubert},
-	title = {Music Printing},
-	series = {Practical Printing and Binding},
-	address={London},
-	publisher={Oldhams Press Ltd., Long Acre},
-	note ={subject: musical notation},
+  author = {Foss, Hubert},
+  title = {Music Printing},
+  series = {Practical Printing and Binding},
+  address = {London},
+  publisher = {Oldhams Press Ltd., Long Acre},
+  note = {subject: musical notation},
 }
 
 @Book{steele03:_earlies_englis_music_print,
-	author = {Steele, Robert},
-	year = 1903,
-	title = {The Earliest English Music Printing},
-	address={London},
-	note= {subject: history of music printing and engraving},
+  author = {Steele, Robert},
+  year = 1903,
+  title = {The Earliest English Music Printing},
+  address = {London},
+  note = {subject: history of music printing and engraving},
 }
 
 @Book{austin:_story_music_print,
-	author={Austin, Ernest},
-	title = {The Story of Music Printing},
-	address={London},
-	publisher={Lowe and Brydone Printers, Ltd.},
-	note= {subject: history of music printing and engraving},
-
+  author = {Austin, Ernest},
+  title = {The Story of Music Printing},
+  address = {London},
+  publisher = {Lowe and Brydone Printers, Ltd.},
+  note = {subject: history of music printing and engraving},
 }
 
-
-
 @Book{unknown_author:_pictor_histor_music_print,
-	author={unknown author},
-	title = {Pictorial History of Music Printing},
-	address={Elhardt, Indiana},
-	publisher={H. and A. Selmer, Inc.},
-	note= {subject: history of music printing and engraving},
-
+  author = {unknown author},
+  title = {Pictorial History of Music Printing},
+  address = {Elhardt, Indiana},
+  publisher = {H. and A. Selmer, Inc.},
+  note = {subject: history of music printing and engraving},
 }
 
 @Book{wintermitz55:_music_autog_montev_hindem,
-	author = {Wintermitz, Emmanuel},
-	year = 1955,
-	title = {Musical Autographs from Monteverdi to Hindemith},
-	address={Princeton},
-	publisher={Princeton University Press},
-	note= {subject: history of music printing and engraving},
-
+  author = {Wintermitz, Emmanuel},
+  year = 1955,
+  title = {Musical Autographs from Monteverdi to Hindemith},
+  address = {Princeton},
+  publisher = {Princeton University Press},
+  note = {subject: history of music printing and engraving},
 }
 
-
 @Book{novello47:_some_accoun_method_music_print,
 
-	author = {Novello, A},
-	year = 1847,
-	title = {Some Account of the Methods of Musick Printing, with Specimens of the Various Sizes of Moveable Types and of Other Matters},
-	address={London},
-	note={ subject: history of music printing and engraving},
+  author = {Novello, A},
+  year = 1847,
+  title = {Some Account of the Methods of Musick Printing, with Specimens of the Various Sizes of Moveable Types and of Other Matters},
+  address = {London},
+  note = {subject: history of music printing and engraving},
 }
 
 @Book{chrsander18:_sketc_histor_music,
-	author={Chrsander, F.},
-	year={18??},
-	title={A Sketch of the HIstory of Music printing, from the 15th to the 16th century},
-	note={ subject: history of music printing and engraving},
+  author = {Chrsander, F.},
+  year = {18??},
+  title = {A Sketch of the HIstory of Music printing, from the 15th to the 16th century},
+  note = {subject: history of music printing and engraving},
 }
 
 @Article {squire1897,
-	author = {Squire, W},
-	year = 1897,
-	title = {Notes on Early Music Printing},
-	journal = {Bibliographica},
-	volume={iii},
-	number=99,
-	note={ subject: history of music printing and engraving},
-
+  author = {Squire, W},
+  year = 1897,
+  title = {Notes on Early Music Printing},
+  journal = {Bibliographica},
+  volume = {iii},
+  number = 99,
+  note = {subject: history of music printing and engraving},
 }
 
 @Article{meyer35:_print_music,
-	author = {Meyer, K. and O'Meara, J},
-	year = 1935,
-	title = {The Printing of Music, 1473-1934},
-	journal = {The Dolphin},
-	volume={ ii},
-	pages={ 171--207},
-	note={ subject: history of music printing and engraving},
-
+  author = {Meyer, K. and O'Meara, J},
+  year = 1935,
+  title = {The Printing of Music, 1473-1934},
+  journal = {The Dolphin},
+  volume = {ii},
+  pages = {171--207},
+  note = {subject: history of music printing and engraving},
 }
-%% 4th ver.,
+
+% 4th ver.,
 @Article{pattison39:_notes_early_music_print,
-	author = {Pattison, B},
-	year = 1939,
-	title = {Notes on Early Music Printing},
-	journal = {The Library},
-	note={subject: history of music printing and engraving},
-	volume={xix},
-	pages={389-421}, 
+  author = {Pattison, B},
+  year = 1939,
+  title = {Notes on Early Music Printing},
+  journal = {The Library},
+  note = {subject: history of music printing and engraving},
+  volume = {xix},
+  pages = {389-421},
 }
 
 @Book{king64:_four_hundr_years_music_print,
-	author = {King, H},
-	year = 1964,
-	title = {Four Hundred Years of Music Printing},
-	address={London},
-	note={ subject: history of music printing and engraving},
+  author = {King, H},
+  year = 1964,
+  title = {Four Hundred Years of Music Printing},
+  address = {London},
+  note = {subject: history of music printing and engraving},
 }
 
-
 %(Rev.1961).
 @Book{deutsch46:_music_number,
-	author={Deutsch, O.F.},
-	year =1946,
-	title = {Music Publishers' Numbers},
-	address={London},
-	note={ subject: history of music printing and engraving},
+  author = {Deutsch, O.F.},
+  year = 1946,
+  title = {Music Publishers' Numbers},
+  address = {London},
+  note = {subject: history of music printing and engraving},
 }
 
 @Book{marco62:_earlies_music_print_contin_europ,
-	author = {Marco, G.A},
-	year = 1962,
-	title = {The Earliest Music Printers of Continental Europe: a Checklist of Facsimiles Illustrating Their Work},
-	address={Charlottesville, Virginia},
-	note={ subject: history of music printing and engraving},
+  author = {Marco, G.A},
+  year = 1962,
+  title = {The Earliest Music Printers of Continental Europe: a Checklist of Facsimiles Illustrating Their Work},
+  address = {Charlottesville, Virginia},
+  note = {subject: history of music printing and engraving},
 }
 
 @Article{kinkeldey32:_music_and_music_print_incun,
-	author = {Kinkeldey, O},
-	year = 1932,
-	title = {Music And Music Printing in Incunabula},
-	journal = {Papers of the Bibliographical Society of America},
-	volume={ xxvi},
-	pages={89-118},
-	note={ subject: history of music printing and engraving},
+  author = {Kinkeldey, O},
+  year = 1932,
+  title = {Music And Music Printing in Incunabula},
+  journal = {Papers of the Bibliographical Society of America},
+  volume = {xxvi},
+  pages = {89-118},
+  note = {subject: history of music printing and engraving},
 }
 
 @Book{oldman34:_collec_music_first_edition,
-	author = {Oldman, C.B},
-	year = 1934,
-	title = {Collecting Musical First Editions},
-	address={London},
-	note={ subject: history of music printing and engraving},
+  author = {Oldman, C.B},
+  year = 1934,
+  title = {Collecting Musical First Editions},
+  address = {London},
+  note = {subject: history of music printing and engraving},
 }
 
 @Book{carter34:_new_paths_book_collec,
-	author={Carter, J},
-	year=1934,
-	title = {New Paths in Book Collecting},
-	address={London},
-	note={ subject: history of music printing and engraving},
+  author = {Carter, J},
+  year = 1934,
+  title = {New Paths in Book Collecting},
+  address = {London},
+  note = {subject: history of music printing and engraving},
 }
 
 @Book{krummel58:_graph_analy_applic_early_americ_engrav_music,
-	author={Krummel, D.W.},
-	year=1958,
-	month=9,
-	title = {Graphic Analysis in Application to Early American Engraved Music},
-	journal = {Notes},
-	volume={xvi},
-	pages=213,
-	note={ subject: history of music printing and engraving},
+  author = {Krummel, D.W.},
+  year = 1958,
+  month = 9,
+  title = {Graphic Analysis in Application to Early American Engraved Music},
+  journal = {Notes},
+  volume = {xvi},
+  pages = 213,
+  note = {subject: history of music printing and engraving},
 }
 
 @Book{krummel71:_oblon_format_early_music_books,
-	author = {Krummel, D.W},
-	year = 1971,
-	title = {Oblong Format in Early Music Books},
-	journal = {The Library},
-	volume={5th ser., xxvi},
-	pages=312,
-	note={ subject: history of music printing and engraving},
+  author = {Krummel, D.W},
+  year = 1971,
+  title = {Oblong Format in Early Music Books},
+  journal = {The Library},
+  volume = {5th ser., xxvi},
+  pages = 312,
+  note = {subject: history of music printing and engraving},
 }
 
 @Book{king73:_anniv_music_print,
-	author = {King, A.H},
-	year = 1973,
-	title = {The 50th Anniversary of Music Printing},
+  author = {King, A.H},
+  year = 1973,
+  title = {The 50th Anniversary of Music Printing},
 }
 
 @Book{rastall82:_wester,
-	author={Rastall, Richard},
-	year=1982,
- title = {The notation of Western music : an introduction},
-	address={New York, N.Y.},
-	publisher={St. Martin's Press},
-	note = {Musical notation},
-
-
+  author = {Rastall, Richard},
+  year = 1982,
+  title = {The notation of Western music : an introduction},
+  address = {New York, N.Y.},
+  publisher = {St. Martin's Press},
+  note = {Musical notation},
 }
 
 @Book{tappolet47:_la_notat_music,
-	author = {Tappolet, Willy},
-	year = 1947,
-	title = {La Notation Musicale},
-	address={Paris},
-	note={subject: general notation},
-	publisher={Neuch\^atel},
+  author = {Tappolet, Willy},
+  year = 1947,
+  title = {La Notation Musicale},
+  address = {Paris},
+  note = {subject: general notation},
+  publisher = {Neuchâtel},
 }
 
 @Book{williams03:_story_notat,
-	author = {Williams, C.F. Abdy},
-	year = 1903,
-	title = {The Story of Notation},
-	address={New York},
-	publisher={Charles Scribner's Sons},
-	note={subject: general notation},
+  author = {Williams, C.F. Abdy},
+  year = 1903,
+  title = {The Story of Notation},
+  address = {New York},
+  publisher = {Charles Scribner's Sons},
+  note = {subject: general notation},
 }
 
 @Book{apel53,
-	author={Apel, Willi},
-	year=1953,
-	title = {The notation of polyphonic music, 900-1600},
-	address={Cambridge, Mass},
-	institution={Mediaeval Academy of America},
-	note = {Musical notation},
+  author = {Apel, Willi},
+  year = 1953,
+  title = {The notation of polyphonic music, 900-1600},
+  address = {Cambridge, Mass},
+  institution= {Mediaeval Academy of America},
+  note = {Musical notation},
 }
 
 @Book{berger93:_mensur,
-	author={Berger, Anna Maria Busse},
-	year=1993,
-	title = {Mensuration and proportion signs : origins and evolution},
-	address={Oxford, England},
-	publisher={Clarendon Press},
-	scnd_address={New York},
-	scnd_publisher={Oxford University Press },
-	note={subject: early notation},
+  author = {Berger, Anna Maria Busse},
+  year = 1993,
+  title = {Mensuration and proportion signs : origins and evolution},
+  address = {Oxford, England},
+  publisher = {Clarendon Press},
+  scnd_address = {New York},
+  scnd_publisher = {Oxford University Press},
+  note = {subject: early notation},
 }
 
 @Book{parrish57,
-	author={Parrish, Carl},
-	year=1957,
- title = {The notation of medieval music},
-	address={New York},
-	publisher={Norton},
-	note = {Musical notation},
-
-
+  author = {Parrish, Carl},
+  year = 1957,
+  title = {The notation of medieval music},
+  address = {New York},
+  publisher = {Norton},
+  note = {Musical notation},
 }
 
 @Book{parrish46:_notat_mediev_music,
-	author = {Parrish, Carl},
-	year = 1946,
-	title = {The Notation of Medieval Music},
-	address={New York},
-	publisher={Carl Fischer, Inc.},
-	note={subject: early notation},
+  author = {Parrish, Carl},
+  year = 1946,
+  title = {The Notation of Medieval Music},
+  address = {New York},
+  publisher = {Carl Fischer, Inc.},
+  note = {subject: early notation},
 }
 
 @Book{patch49:_genes_music,
-	author = {Patch, Harry},
-	year = 1949,
-	title = {Genesis of a Music},
-	address={Madison},
-	publisher={University of Wisconsin Press},
-	note={subject: early notation},
+  author = {Patch, Harry},
+  year = 1949,
+  title = {Genesis of a Music},
+  address = {Madison},
+  publisher = {University of Wisconsin Press},
+  note = {subject: early notation},
 }
 
 @Book{cage69:_notat,
-	author={Cage, John},
-	year=1969,
+  author = {Cage, John},
+  year = 1969,
   title = {Notations},
-	address={New York},
-	publisher={Something Else Press},
-	note = {Music, Manuscripts, Facsimiles.
-
-	Facsimiles of holographs from the Foundation for Contemporary
-	Performance Arts, with text by 269 composers, but rearranged using
-	chance operations.,V)} },
+  address = {New York},
+  publisher = {Something Else Press},
+  note = {Music, Manuscripts, Facsimiles.
+  Facsimiles of holographs from the Foundation for Contemporary
+  Performance Arts, with text by 269 composers, but rearranged using
+  chance operations.,V)}},
 
 @Book{gaburo77:_notat,
-	author = {Gaburo, Virginia},
-	year = 1977,
-	title = {Notation},
-	publisher={Lingua Press},
-	address={La Jolla, California},
-	note = {A Lecture about notation, new ideas about},
+  author = {Gaburo, Virginia},
+  year = 1977,
+  title = {Notation},
+  publisher = {Lingua Press},
+  address = {La Jolla, California},
+  note = {A Lecture about notation, new ideas about},
 }
 
 @Book{risatti75:_new_music_vocab,
-	author = {Risatti, Howard},
-	year = 1975,
-	title = {New Music Vocabulary},
-	address={Urbana, Illinois},
-	publisher={University of Illinois Press},
-	note = {A Guide to Notational Signs for Contemporary Music},
+  author = {Risatti, Howard},
+  year = 1975,
+  title = {New Music Vocabulary},
+  address = {Urbana, Illinois},
+  publisher = {University of Illinois Press},
+  note = {A Guide to Notational Signs for Contemporary Music},
 }
 
-
-
 @Book{cowell30:_new_music_resour,
-	author = {Cowell, Henry},
-	year = 1930,
-	title = {New Musical Resources},
-	address={New York},
-	publisher={Alfred A. Knopf, Inc.},
-	note={subject: 20th century notation},
+  author = {Cowell, Henry},
+  year = 1930,
+  title = {New Musical Resources},
+  address = {New York},
+  publisher = {Alfred A. Knopf, Inc.},
+  note = {subject: 20th century notation},
 }
 
 @Article{cowell27:_our_inadeq_notat,
-	author = {Cowell, Henry},
-	year = 1927,
-	title = {Our Inadequate Notation},
-	journal = {Modern Music},
-	volume=4,
-	number=3,
-	note={subject: 20th century notation},
-
+  author = {Cowell, Henry},
+  year = 1927,
+  title = {Our Inadequate Notation},
+  journal = {Modern Music},
+  volume = 4,
+  number = 3,
+  note = {subject: 20th century notation},
 }
 
 @Book{bowers92:_music_letter,
-	author = {Bowers, Roger},
-	year = 1992,
-	title = {Music & Letters},
-	volume=73,
-	number=3,
-	month={August},
-	pages={347(52)},
-	note={Some reflection upon notation and proportion in Monteverdi's mass and vespers},
+  author = {Bowers, Roger},
+  year = 1992,
+  title = {Music & Letters},
+  volume =73,
+  number = 3,
+  month = {August},
+  pages = {347(52)},
+  note = {Some reflection upon notation and proportion in Monteverdi's mass and vespers},
 }
 
 @Book{brainard92:_curren_music,
-	author = {Brainard, Paul},
-	year = 1992,
-	title = {Current Musicology},
-	number=50,
-	month={July-Dec},
-	pages={21(26)},
-	note={Proportional notation in the music of Schutz and his contemporaries in the 17th Century},
+  author = {Brainard, Paul},
+  year = 1992,
+  title = {Current Musicology},
+  number = 50,
+  month = {July-Dec},
+  pages = {21(26)},
+  note = {Proportional notation in the music of Schutz and his contemporaries in the 17th Century},
 }
 
 @Book{monelle89:_compar_liter,
-	author = {Monelle, Raymond},
-	year = 1989,
-	title = {Comparative Literature},
-	volume=41, number=3, 
-	month={Summer},
-	pages={252(18)},
-
-	note={Music notation and the poetic foot},
+  author = {Monelle, Raymond},
+  year = 1989,
+  title = {Comparative Literature},
+  volume = 41,
+  number = 3,
+  month = {Summer},
+  pages = {252(18)},
+  note = {Music notation and the poetic foot},
 }
 
 @Book{pinegar93:_curren_music,
-	author = {Pinegar, Sandra},
-	year = 1993,
-	title = {Current Musicology},
-	number=53,
-	month={July},
-	pages={99(10)},
-	note={The seeds of notation and music paleography.},
+  author = {Pinegar, Sandra},
+  year = 1993,
+  title = {Current Musicology},
+  number = 53,
+  month = {July},
+  pages = {99(10)},
+  note = {The seeds of notation and music paleography.},
 }
 
 @Book{smith90:_curren_music,
-	author = {Smith, Norman E},
-	year = 1990,
-	title = {Current Musicology},
-	number={45-47},
-	month={Jan-Dec},
-	pages={283(22)},
-	note={The notation of fractio modi.},
+  author = {Smith, Norman E},
+  year = 1990,
+  title = {Current Musicology},
+  number = {45-47},
+  month = {Jan-Dec},
+  pages = {283(22)},
+  note = {The notation of fractio modi.},
 }
 
 @Book{treitler92:_journ_music,
-	author = {Treitler, Leo},
-	year = 1992,
-	title = {The Journal of Musicology},
-	volume=10,
-	number=2,
-	month={Spring},
-	pages={131(61)},
-
-	note={ The unwritten and written transmission, of medieval chant
-	and the start-up of musical notation.
-
-	Notational practice developed in medieval music to address the written tradition for chant which interacted with the unwritten vocal tradition.},
+  author = {Treitler, Leo},
+  year = 1992,
+  title = {The Journal of Musicology},
+  volume = 10,
+  number = 2,
+  month = {Spring},
+  pages = {131(61)},
+  note = {The unwritten and written transmission, of medieval chant
+  and the start-up of musical notation.
+  Notational practice developed in medieval music to address the written tradition for chant which interacted with the unwritten vocal tradition.},
 }
 
 @Book{west94:_music_letter,
-	author = {West, M.L},
-	year = 1994,
-	title = {Music & Letters},
-	volume=75,
-	number=2,
-	month={May},
-	pages={161(19)},
-	note={The Babylonian musical notation and the Hurrian melodic texts. 
-
-	A new way of deciphering the ancient Babylonian musical notation. 
-}
+  author = {West, M.L},
+  year = 1994,
+  title = {Music & Letters},
+  volume = 75,
+  number = 2,
+  month = {May},
+  pages = {161(19)},
+  note = {The Babylonian musical notation and the Hurrian melodic texts.
+  A new way of deciphering the ancient Babylonian musical notation.}
 }
 
 @Book{brown86:_music_quart,
-	author = {Brown, Earle},
-	year = 1986,
-	title = {Musical Quarterly},
-	volume=72,
-	month={Spring},
-	pages={180(22)},
-	note={The notation and performance of new music.},
+  author = {Brown, Earle},
+  year = 1986,
+  title = {Musical Quarterly},
+  volume = 72,
+  month = {Spring},
+  pages = {180(22)},
+  note = {The notation and performance of new music.},
 }
 
 @Book{eggleston94:_notes,
-	author = {Eggleston, Suzanne},
-	year = 1994,
-	title = {Notes},
-	volume=51,
-	number=2,
-	month={Dec},
-	pages={657(7)}, 
-	journal={New periodicals},
-	note={A list of new music periodicals covering the period
-	Jun.-Dec. 1994. Includes aims, formats and a description of the
-	contents of each listed periodical. Includes Music Notation News},
-
+  author = {Eggleston, Suzanne},
+  year = 1994,
+  title = {Notes},
+  volume = 51,
+  number = 2,
+  month = {Dec},
+  pages = {657(7)},
+  journal= {New periodicals},
+  note = {A list of new music periodicals covering the period
+  Jun.-Dec. 1994. Includes aims, formats and a description of the
+  contents of each listed periodical. Includes Music Notation News},
 }
 
 @Book{fuller89:_journ_music,
-	author = {Fuller, David},
-	year = 1989,
-	title = {The Journal of Musicology},
-	volume=7,
-	number=1,
-	month={Winter},
-	pages={21(8)},
-	note={
-	Notes and inegales unjoined: defending a definition. (written-out inequalities in music notation).        
-}},
+  author = {Fuller, David},
+  year = 1989,
+  title = {The Journal of Musicology},
+  volume =7,
+  number = 1,
+  month = {Winter},
+  pages = {21(8)},
+  note = {Notes and inegales unjoined: defending a definition. (written-out inequalities in music notation).}
+},
 
 @Book{jones90:_persp_new_music,
-
-	author = {Jones, David Evan},
-	year = 1990,
-	title = {Perspectives of New Music},
-	note={Speech extrapolated. (includes notation)}
+  author = {Jones, David Evan},
+  year = 1990,
+  title = {Perspectives of New Music},
+  note = {Speech extrapolated. (includes notation)}
 }
 
 @Book{lependorf89,
-	author = {Lependorf, Jeffrey},
-	year = 1989,
-	journal={Perspectives of New Music},
-	volume=27,
-	title = {?},
- number=2,
-	month={Summer},
-	pages={232(20)},
-	note={Contemporary notation for the shakuhachi: a primer for composers. (Tradition and Renewal in the Music of Japan) },
-
+  author = {Lependorf, Jeffrey},
+  year = 1989,
+  journal= {Perspectives of New Music},
+  volume = 27,
+  title = {?},
+  number = 2,
+  month = {Summer},
+  pages = {232(20)},
+  note = {Contemporary notation for the shakuhachi: a primer for composers. (Tradition and Renewal in the Music of Japan)},
 }
 
 @Book{rastall93:_music_letter,
-	author = {Rastall, Richard},
-	year = 1993,
-	title = {Music & Letters},
-	volume=74, number=4,
-	month={November},
-	pages={639(2)},
-
-	note={Equal Temperament Music Notation: The Ailler-Brennink
-	Chromatic Notation. Results and Conclusions of the Music Notation
-	Refor by the Chroma Foundation (book reviews).  },
+  author = {Rastall, Richard},
+  year = 1993,
+  title = {Music & Letters},
+  volume =74,
+  number = 4,
+  month = {November},
+  pages = {639(2)},
+  note = {Equal Temperament Music Notation: The Ailler-Brennink
+  Chromatic Notation. Results and Conclusions of the Music Notation
+  Refor by the Chroma Foundation (book reviews).},
 }
 
 @Article {Francois92,
-	author={Francois, Jean-Charles},
-	journal = {Perspectives of New Music},
-	volume={30},
-	number={1}, month={Winter},
-	pages={6(15)},
-	year={1992},
-
-	note={subject: Modern music has outgrown notation. While the
-	     computer is used to write down music with accuracy never
-	     before achieved, the range of modern sounds has surpassed
-	     the relevance of the computer...},
-
-	title={Writing without representation, and unreadable notation.},
+  author = {Francois, Jean-Charles},
+  journal = {Perspectives of New Music},
+  volume = {30},
+  number = {1},
+  month = {Winter},
+  pages = {6(15)},
+  year = {1992},
+  note = {subject: Modern music has outgrown notation. While the
+       computer is used to write down music with accuracy never
+       before achieved, the range of modern sounds has surpassed
+       the relevance of the computer...},
+  title = {Writing without representation, and unreadable notation.},
 }
 
 @Book{hamel89,
-	author = {Hamel, Keith A},
-	year = 1989,
-	journal = {Perspectives of New Music},
-	volume=27,
-	number=1,
-	month={Winter},
-	pages={70(14)},
-
-	title={A design for music editing and printing software based
-on notational syntax}, }
+  author = {Hamel, Keith A},
+  year = 1989,
+  journal = {Perspectives of New Music},
+  volume = 27,
+  number = 1,
+  month = {Winter},
+  pages = {70(14)},
+  title = {A design for music editing and printing software based
+on notational syntax},
+}
 
diff --git a/Documentation/essay/computer-notation.bib b/Documentation/essay/computer-notation.bib
index 59dd6458b9..7873059cab 100644
--- a/Documentation/essay/computer-notation.bib
+++ b/Documentation/essay/computer-notation.bib
@@ -1,51 +1,46 @@
 %
-% TITLE=The music notation with computer bibliography
-% AUTHOR=Han-Wen Nienhuys
+% title =The music notation with computer bibliography
+% author =Han-Wen Nienhuys
 %
 
 @String{CitH = {Computing and the Humanities}}
 @String{CMJ = {Computer Music Journal}}
 
-
-
 @Book {smith73,
-  year =  {1973},
+  year = {1973},
   title = {Editing and Printing Music by Computer},
   author = {Leland Smith},
   totalentry = {Journal of Music Theory},
-  volume={17},
-  pages ={292-309},
-
+  volume = {17},
+  pages = {292-309},
   note = {Gourlay [gourlay86] writes: A discussion of Smith's
 music-printing system SCORE}
-
 }
 
 @Article {byrd74,
-  year =  {1974},
+  year = {1974},
   title = {A System for Music Printing by Computer},
   author = {Donald Byrd},
   journal = {Computers and the Humanities},
-  volume ={8},
-  pages ={161-72},
+  volume = {8},
+  pages = {161-72},
 }
 
-
 @Article{ericson75,
-  author = 	 {R. F. Ericson},
-  title = 	 {The DARMS Project: A status report},
-  journal = 	 {Computing in the humanities},
-  year = 	 1975,
-  volume =	 9,
-  number =	 6,
-  pages =	 {291--298},
+  author = {R. F. Ericson},
+  title = {The DARMS Project: A status report},
+  journal = {Computing in the humanities},
+  year = 1975,
+  volume = 9,
+  number = 6,
+  pages = {291--298},
   note = {Gourlay [gourlay86] writes: A discussion of the design
   and potential uses of the DARMS music-description language.}
 }
 
 % Gomberg
 @PhdThesis {gomber75,
-  year =  {1975},
+  year = {1975},
   title = {A Computer-Oriented System for Music Printing},
   author = {David A. Gomberg},
   school = {Washington University},
@@ -54,12 +49,11 @@ music-printing system SCORE}
 @Book {gomberg,
   title = {A Computer-oriented System for Music Printing},
   author = {David A.  Gomberg},
-  journal  = CitH,
-  volume={11},
+  journal = CitH,
+  volume = {11},
   month = {march},
   year = {1977},
   pages = {63-80},
-
   note = {Gourlay [gourlay86] writes: "A discussion of the
   problems of representing the conventions of musical notation in
   computer algorithms."}
@@ -67,52 +61,48 @@ music-printing system SCORE}
 
 
 @TechReport{Ornstein83,
-  author={Ornstein, Severo M. and John Turner Maxwell III},
-  title={Mockingbird: A Composer's Amanuensis},
-  institution={Xerox Palo Alto Research Center},
-  address={3333 Coyote Hill Road, Palo Alto, CA, 94304},
-  number={CSL-83-2},
-  month={January},
-  year={1983}
+  author = {Ornstein, Severo M. and John Turner Maxwell III},
+  title = {Mockingbird: A Composer's Amanuensis},
+  institution = {Xerox Palo Alto Research Center},
+  address = {3333 Coyote Hill Road, Palo Alto, CA, 94304},
+  number = {CSL-83-2},
+  month = {January},
+  year = {1983}
 }
 
 @Article{Ornstein84,
-  author={Ornstein, Severo M. and John Turner Maxwell III},
-  title={Mockingbird: A Composer's Amanuensis},
-  journal= {Byte},
-  volume= 9,
+  author = {Ornstein, Severo M. and John Turner Maxwell III},
+  title = {Mockingbird: A Composer's Amanuensis},
+  journal = {Byte},
+  volume = 9,
   month = {January},
-  year= { 1984},
-
-  note={A discussion of an interactive and graphical computer system
+  year = { 1984},
+  note = {A discussion of an interactive and graphical computer system
 for music composition}
-
 }
 
 % byrd
 @PhdThesis {byrd85,
-  year =  {1985},
+  year = {1985},
   title = {Music Notation by Computer},
   author = {Donald Byrd},
   school = {Indiana University},
-
   note = {Describes the SMUT (sic) system for automated music printout.}
 }
 
 @InProceedings{assayaag86,
-  author = 	 {G. Assayaag and D. Timis},
-  title = 	 {A Toolbox for music notation},
-  booktitle = 	 {Proceedings of the 1986 International Computer Music Conference},
-  year =	1986
+  author = {G. Assayaag and D. Timis},
+  title = {A Toolbox for music notation},
+  booktitle = {Proceedings of the 1986 International Computer Music Conference},
+  year = 1986
 }
 
 @TechReport{roush88,
   year = {1988},
   title = {Music Formatting Guidelines},
   author = {D. Roush},
-  number = {OSU-CISRC-3/88-TR10}, 
+  number = {OSU-CISRC-3/88-TR10},
   institution = {Department of Computer and Information Science, The Ohio State University},
-
   note = {Rules on formatting music formulated for use in
   computers. Mainly distilled from [Ross] HWN},
 
@@ -120,14 +110,13 @@ for music composition}
 
 
 @Article{byrd94,
-  author = 	 {Donald Byrd},
-  title = 	 {Music Notation Software and Intelligence},
-  journal = 	 {Computer Music Journal},
-year = 1994,
-pages = {17--20},
-  volume =	 18,
-  number =	 1,
-
+  author = {Donald Byrd},
+  title = {Music Notation Software and Intelligence},
+  journal = {Computer Music Journal},
+  year = 1994,
+  pages = {17--20},
+  volume = 18,
+  number = 1,
   note = {Byrd (author of Nightingale) shows four problematic
 fragments of notation, and rants about notation programs that try to
 exhibit intelligent behaviour. HWN}
@@ -135,12 +124,12 @@ exhibit intelligent behaviour. HWN}
 
 
 @Article{field-richards93,
-  author = 	 {H.S. Field-Richards},
-  title = 	 {Cadenza: A Music Description Language},
-  journal = 	 CMJ,
-  year = 	 1993,
-  volume =	 17,
-  number =	 4,
+  author = {H.S. Field-Richards},
+  title = {Cadenza: A Music Description Language},
+  journal = CMJ,
+  year = 1993,
+  volume = 17,
+  number = 4,
 
   note = {A description through examples of a music entry language.
 Apparently it has no formal semantics.  There is also no
@@ -149,11 +138,10 @@ implementation of notation convertor. HWN}
 }
 
 @Article{bielawa93,
-  author = 	 {Herbert Bielawa},
-  title = 	 {Review of Sibelius 7},
-  journal = 	 CMJ,
-  year = 	 {1993?},
-
+  author = {Herbert Bielawa},
+  title = {Review of Sibelius 7},
+  journal = CMJ,
+  year = {1993?},
   note = {A raving review/tutorial of Sibelius 7 for Acorn.  (And did
 they seriously program a RISC chip in ... assembler ?!) HWN}
 
@@ -161,26 +149,24 @@ they seriously program a RISC chip in ... assembler ?!) HWN}
 }
 
 @Article{sloan93,
-  author = 	 {Donald Sloan},
-  title = 	 {Aspects of Music Representation in HyTime/SMDL},
-  journal = 	 CMJ,
-  year = 	 1993,
-  volume =	 17,
-  number =	 4,
-
-note = {An introduction into HyTime and its score description variant
+  author = {Donald Sloan},
+  title = {Aspects of Music Representation in HyTime/SMDL},
+  journal = CMJ,
+  year = 1993,
+  volume = 17,
+  number = 4,
+  note = {An introduction into HyTime and its score description variant
 SMDL.  With a short  example that is quite  lengthy in SMDL}
 
 }
 
 @Article{wiggins93,
-  author = 	 {Geraint Wiggins and Eduardo Miranda and Alaaaan Smaill and Mitch Harris},
-  title = 	 {A Framework for the evaluation of music representation systems},
-  journal = 	 CMJ,
-  year = 	 1993,
-  volume =	 17,
-  number =	 3,
-
+  author = {Geraint Wiggins and Eduardo Miranda and Alaaaan Smaill and Mitch Harris},
+  title = {A Framework for the evaluation of music representation systems},
+  journal = CMJ,
+  year = 1993,
+  volume = 17,
+  number = 3,
   note = {A categorisation of music representation systems (languages,
 OO systems etc) splitted into high level and low level expressiveness.
 The discussion of Charm and parallel processing for music
@@ -188,59 +174,46 @@ representation is rather vague. HWN}
 
 }
 
-
-
 @Article{dannenberg93,
-  author = 	 {Roger B. Dannenberg},
-  title = 	 {Music Representation: Issues, Techniques, and Systems},
-  journal = 	 CMJ,
-  year = 	 1993,
-  volume =	 17,
-  number =	 3,
+  author = {Roger B. Dannenberg},
+  title = {Music Representation: Issues, Techniques, and Systems},
+  journal = CMJ,
+  year = 1993,
+  volume = 17,
+  number = 3,
   url = {http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.44.6067},
-
   note = {This article  points to some problems and solutions with music
 representation. HWN},
-
 }
 
 @Article{rothstein93,
-  author = 	 {Joseph Rothstein},
-  title = 	 {Review of Passport Designs' Encore Music Notation Software},
-  journal = 	 CMJ,
-  year = 	 {?},
-
-
+  author = {Joseph Rothstein},
+  title = {Review of Passport Designs' Encore Music Notation Software},
+  journal = CMJ,
+  year = {?},
 }
 
-
-
 @Article{belkin94,
-  author = 	 {Alan Belkin},
-  title = 	 {Macintosh Notation Software: Present and Future},
-  journal = 	 CMJ,
-  year = 	 1994,
-  volume =	 18,
-  number =	 1,
-
+  author = {Alan Belkin},
+  title = {Macintosh Notation Software: Present and Future},
+  journal = CMJ,
+  year = 1994,
+  volume = 18,
+  number = 1,
   note = {Some music notation systems are analysed for ease of use,
   MIDI handling.  The article ends with a plea for a standard notation
   format. HWN},
-
 }
 
 @InProceedings{montel97,
-  author = 	 {Dominique Montel},
-  title = 	 {La gravure de la musique, lisibilit\'e esth\'etique, respect de l'oevre},
-  booktitle = 	 {Musique \& Notations},
-  year = 	 1997,
-  address={Lyon},
-  editors ={Genevois \& Orlarey}
+  author = {Dominique Montel},
+  title = {La gravure de la musique, lisibilité esthétique, respect de l'oevre},
+  booktitle = {Musique \& Notations},
+  year = 1997,
+  address= {Lyon},
+  editors = {Genevois \& Orlarey}
 }
 
-
-
-
 @Book {CASR,
   note = {Annual editions since 1985, many containing surveys of music typesetting technology. SP},
   title = {Directory of Computer Assisted Research in Musicology},
@@ -248,102 +221,88 @@ representation. HWN},
   totalentry = {Menlo Park, CA: Center for Computer Assisted Research in the Humanities},
 }
 
-
 @Book{selfridge-field97:_beyon_midi,
-  title = 	 {Beyond MIDI: the handbook of musical codes},
-  editor =	 {Eleanor Selfridge-Field},
-  publisher = 	 {MIT Press},
-  year = 	 1997,
-
+  title = {Beyond MIDI: the handbook of musical codes},
+  editor = {Eleanor Selfridge-Field},
+  publisher = {MIT Press},
+  year = 1997,
   note = {A description of various music interchange formats.}
 }
 
-
 @InProceedings{hoos98:_guido_music_notat_format,
-title={The {GUIDO} Music Notation Format---A Novel Approach
+  title = {The {GUIDO} Music Notation Format---A Novel Approach
 for Adequately Representing Score-level Music},
-author = {H. H. Hoos and K. A. Hamel and K. Renz and J. Kilian},
-booktitle = {Proceedings of International Computer Music Conference},
-year = 1998,
-pages = {451--454},
+  author = {H. H. Hoos and K. A. Hamel and K. Renz and J. Kilian},
+  booktitle = {Proceedings of International Computer Music Conference},
+  year = 1998,
+  pages = {451--454},
 }
 
 @Article {blostein91,
-
   note = {This paper provides a overview of the algorithm used in LIME
   for spacing individual lines. HWN},
-
-  year =  {1991},
+  year = {1991},
   title = {Justification of Printed Music},
   author = {Dorothea Blostein and Lippold Haken},
-  journal   = {Communications of the ACM},
-  volume= {J34},
-  number= {3},
-  month= {March},
+  journal = {Communications of the ACM},
+  volume = {J34},
+  number = {3},
+  month = {March},
   pages = {88-99},
 }
 
-
 @Article {haken93,
-  year =  {1993},
+  year = {1993},
   title = {The Tilia Music Representation: Extensibility, Abstraction, and Notation Contexts for the Lime Music Editor},
   author = {Lippold Haken and Dorothea Blostein},
   journal = {Computer Music Journal},
-  volume= {17},
-  number={3},
+  volume = {17},
+  number = {3},
   pages = {43--58},
 }
+
 @Article{blostein94,
-  author = 	 {Dorothea Blostein and Lippold Haken},
-  title = 	 {The Lime Music Editor: A Diagram Editor Involving Complex
+  author = {Dorothea Blostein and Lippold Haken},
+  title = {The Lime Music Editor: A Diagram Editor Involving Complex
   Translations},
-  journal = 	 {Software Practice and Experience},
-  year = 	 {1994},
-  volume = 	 {24},
-  number = 	 {3},
-  month = 	 {march},
-  pages = 	 {289--306},
-
+  journal = {Software Practice and Experience},
+  year = {1994},
+  volume = {24},
+  number = {3},
+  month = {march},
+  pages = {289--306},
   note = {A description of various conversions, decisions and issues
 relating to this interactive editor HWN},
-
 }
 
-
-
 @InProceedings{haken95,
-  year =  {1995},
+  year = {1995},
   title = {A New Algorithm for Horizontal Spacing of Printed Music},
   author = {Lippold Haken and Dorothea Blostein},
   booktitle = {International Computer Music Conference},
-  address={Banff},
-  month={Sept},
+  address = {Banff},
+  month= {Sept},
   pages = {118-119},
-
   note = {This describes an algorithm which uses springs between
-adjacent columns. }, }
-
+adjacent columns.},
+}
 
 @InProceedings{bouzaiene98:_une,
-  author = 	 {Nabil Bouzaiene and Lo\"ic Le Gall and Emmanuel Saint-James},
-  title = 	 {Une biblioth\`eque pour la notation  musicale baroque},
-  booktitle = 	 {EP '98},
-  year = 	 1998,
-  series =	 {LNCS},
-
+  author = {Nabil Bouzaiene and Loïc Le Gall and Emmanuel Saint-James},
+  title = {Une bibliothèque pour la notation  musicale baroque},
+  booktitle = {EP '98},
+  year = 1998,
+  series = {LNCS},
   note = {Describes ATYS, an extension to Berlioz, that can mimick
   handwritten baroque style beams}
 }
 
-
-
-
 @InProceedings{balaban88,
-  author = 	 {M. Balaban},
-  title = 	 {A Music Workstation Based on Multiple Hierarchical Views of Music},
-  booktitle = 	 {Proceedings of the 1988 International Computer Music Conference},
-  year =	 1988,
-  address =	 {San Francisco},
+  author = {M. Balaban},
+  title = {A Music Workstation Based on Multiple Hierarchical Views of Music},
+  booktitle = {Proceedings of the 1988 International Computer Music Conference},
+  year = 1988,
+  address = {San Francisco},
   organization = {International Computer Music Association}
 }
 
@@ -352,47 +311,41 @@ adjacent columns. }, }
 %
 @TechReport {gourlay87-spacing,
 annote = {Algorithm for generating spacing in one line of (polyphonic) music, tailored for use with MusiCopy. LilyPond uses a variant of it.},
-  year =  {1987},
+  year = {1987},
   title = {Spacing a Line of Music,},
   author = {John S. Gourlay},
   number = {OSU-CISRC-10/87-TR35},
-  institution ={Department of Computer and Information Science, The Ohio State University},
+  institution = {Department of Computer and Information Science, The Ohio State University},
 }
 
-
 @TechReport {parish87,
   annote = {A brief overview of {MusiCopy}},
-  year =  {1987},
+  year = {1987},
   title = {{MusiCopy}: An automated Music Formatting System},
   author = {Allen Parish and Wael A. Hegazy and John S. Gourlay and Dean K. Roush and F. Javier Sola},
   totalentry = {OSU-CISRC-10/87-TR29},
-  institution ={Department of Computer and Information Science, The Ohio State University},
+  institution = {Department of Computer and Information Science, The Ohio State University},
 }
- 
 
 @TechReport {gourlay87-formatting,
   note = {This paper discusses the development of algorithms for the
 formatting of musical scores (from abstract). It also appeared at
 PROTEXT III, Ireland 1986},
-
-  year =  {1987},
+  year = {1987},
   title = {Computer Formatting of Music},
   author = {John S. Gourlay and A. Parrish
 and D. Roush and F. Sola and Y. Tien},
   number = {OSU-CISRC-2/87-TR3},
-  institution ={Department of Computer and Information Science,
+  institution = {Department of Computer and Information Science,
 The Ohio State University},
 }
 
-
 @TechReport {hegazy87,
-  year =  {1987},
+  year = {1987},
   title = {On the Implementation of the {MusiCopy} Language Processor,},
-
   author = {Wael A. Hegazy},
   number = {OSU-CISRC-10/87-TR34},
-  institution={Department of Computer and Information Science, The Ohio State University},
-
+  institution= {Department of Computer and Information Science, The Ohio State University},
   note = {Describes the "parser" which converts MusiCopy MDL to
   MusiCopy Simultaneities and columns.
 
@@ -408,137 +361,115 @@ Rightfully the author concludes that MusiCopy must administrate a
 
 MusiCopy attaches graphic information to the objects constructed in
 the input: the elements of the input are partially complete graphic
-objects.
-
-},
-
+objects.},
 }
 
-
 @TechReport {hegazy87-breaking-tr,
-
 annote = {This generalizes \TeX's breaking algorithm to music. It also
 appeared in Document Manipulation and Typography, J.C. van Vliet (ed)
 1988},
-
-  year =  {1987},
-
+  year = {1987},
   title = {Optimal line breaking in music},
   author = {Wael A. Hegazy and John S. Gourlay},
   number = {OSU-CISRC-8/87-TR33},
-  institution={Department of Computer and Information Science, The Ohio State University,},
+  institution= {Department of Computer and Information Science, The Ohio State University,},
 }
 
 @InProceedings{hegazy88:_optim,
   author = {Wael A. Hegazy and John S. Gourlay},
-booktitle = {Proceedings of the International Conference on
+  booktitle = {Proceedings of the International Conference on
 Electronic Publishing, Document Manipulation and Typography. Nice (France)},
-month = {April},
-year =1988,
-editor={J. C. van Vliet},
-publisher = {Cambridge University Press},
-ISBN={0-521-36294-6},
+  month = {April},
+  year = 1988,
+  editor = {J. C. van Vliet},
+  publisher = {Cambridge University Press},
+  ISBN = {0-521-36294-6},
   title = {Optimal line breaking in music},
 }
 
-
 @TechReport {roush87,
-  note = {User manual of MusiCopy. },
-
-  year =  {1987},
+  note = {User manual of MusiCopy.},
+  year = {1987},
   title = {Using {MusiCopy}},
   author = {Dean K. Roush},
   number = {OSU-CISRC-18/87-TR31},
-  institution={Department of Computer and Information Science, The Ohio State University},
+  institution= {Department of Computer and Information Science, The Ohio State University},
 }
 
-
 @TechReport {parrish87-simultaneities,
-
-note = {This note discusses
+  note = {This note discusses
   placement of balls, stems, dots which occur at the same moment
   ("Simultaneity")},
-
-  year =  {1987},
+  year = {1987},
   title = {Computer Formatting of Musical Simultaneities,},
   author = {A. Parrish and John S. Gourlay},
-  institution={Department of Computer and Information Science, The Ohio State University},
+  institution= {Department of Computer and Information Science, The Ohio State University},
   number = {OSU-CISRC-10/87-TR28},
 }
 
-
 @TechReport {sola87,
   note = {Overview of a procedure for generating slurs},
-  year =  {1987},
+  year = {1987},
   title = {Computer Design of Musical Slurs, Ties and Phrase Marks,},
   author = {F. Sola},
-  institution={Department of Computer and Information Science, The Ohio State University},
+  institution= {Department of Computer and Information Science, The Ohio State University},
   number = {OSU-CISRC-10/87-TR32},
 }
 
-
 @Article {gourlay86,
   note = {This paper describes the MusiCopy musicsetting system and an input language to go with it.},
-
-  year =  {1986},
+  year = {1986},
   title = {A language for music printing},
   author = {John. S. Gourlay},
   journal = {Communications of the ACM},
-   volume= {29},
-  number ={5},
+  volume = {29},
+  number = {5},
   pages = {388--401},
 }
 
-
 @TechReport {sola87-beams,
-
-institution={Department of Computer and Information Science, The Ohio
+  institution= {Department of Computer and Information Science, The Ohio
 State University},
-
   note = {Calculating beam slopes HWN},
-  year =  {1987},
+  year = {1987},
   title = {Design of Musical Beams,},
   author = {F. Sola and D. Roush},
   number = {OSU-CISRC-10/87-TR30},
 }
 
-
 @PhdThesis {page88,
   note = {Don't ask Stephen for a copy. Write to the Bodleian Library, Oxford, or to the British Library, instead. SP},
-  year =  {1988},
+  year = {1988},
   title = {Computer Tools for Music Information Retrieval},
   author = {Stephen Dowland Page},
-  school ={Dissertation University of Oxford},
+  school = {Dissertation University of Oxford},
 }
 
-
 %
-% three part study by John Gr/over
+% three part study by John Grøver
 @TechReport{grover89-symbols,
-  author = 	 {John Gr\/over},
-  title = 	 {A computer-oriented description of Music Notation.  Part I. The Symbol Inventory},
-  institution =  {Department of informatics, University of Oslo},
-  year = 	 1989,
-  number =	 133,
-
-note = {The goal of this series of reports is a full description of
+  author = {John Grøver},
+  title = {A computer-oriented description of Music Notation.  Part I. The Symbol Inventory},
+  institution = {Department of informatics, University of Oslo},
+  year = 1989,
+  number = 133,
+  note = {The goal of this series of reports is a full description of
 music formatting.  As these largely depend on parameters of fonts, it
 starts with a verbose description of music symbols.
 
- The subject is treated backwards: from general rules of typesetting
+The subject is treated backwards: from general rules of typesetting
 the author tries to extract dimensions for characters, whereas the
 rules of typesetting (in a particular font) follow from the dimensions
 of the symbols.  His symbols do not match (the stringent) constraints
-formulated by eg. [wanske]} }
+formulated by eg. [wanske]},
+}
 
 @TechReport{grover89-twovoices,
-  author = 	 {John Gr\/over},
-  title = 	 {A computer-oriented description of Music Notation. Part II: Two Voice Sharing a Staff, Leger Line Rules, Dot Positioning},
-
-  institution =  {Department of informatics, University of Oslo},
-  year = 	 1989,
-  number =	 134,
-
+  author = {John Grøver},
+  title = {A computer-oriented description of Music Notation. Part II: Two Voice Sharing a Staff, Leger Line Rules, Dot Positioning},
+  institution = {Department of informatics, University of Oslo},
+  year = 1989,
+  number = 134,
   note = {A lot rules for what is in the title are formulated.  The
 descriptions are long and verbose.  The verbosity shows that
 formulating specific rules is not the proper way to approach the
@@ -547,65 +478,51 @@ general rules, similar to [parrish87-simultaneities]},
 }
 
 @TechReport{grover89-accidentals,
-  author = 	 {John Gr\/over},
-  title = 	 {A computer-oriented description of Music Notation. Part III: Accidental Positioning},
-  institution =  {Department of informatics, University of Oslo},
-  year = 	 1989,
-  number =	 135,
-
-note = {Placement of accidentals crystallised in an enormous set of
-rules.  Same remarks as for [grover89-twovoices] applies} }
-
+  author = {John Grøver},
+  title = {A computer-oriented description of Music Notation. Part III: Accidental Positioning},
+  institution = {Department of informatics, University of Oslo},
+  year = 1989,
+  number = 135,
+  note = {Placement of accidentals crystallised in an enormous set of
+rules.  Same remarks as for [grover89-twovoices] applies},
+}
 
 @PhdThesis{mueller90:_inter_bearb_musik,
-  author = 	 {Giovanni M\"uller},
-  title = 	 {Interaktive Bearbeitung konventioneller Musiknotation},
-  school = 	 {Eidgen\"ossischen Technischen Hochschule Z\"urich},
-  year = 	 1990,
-
-note = {This is about engraver-quality typesetting with computers.  It
+  author = {Giovanni Müller},
+  title = {Interaktive Bearbeitung konventioneller Musiknotation},
+  school = {Eidgenössischen Technischen Hochschule Zürich},
+  year = 1990,
+  note = {This is about engraver-quality typesetting with computers.  It
 accepts the axiom that notation is too difficult to generate
 automatically.  The result is that a notation program should be a
-WYSIWYG editor that allows one to tweak everything.
+WYSIWYG editor that allows one to tweak everything.},
 }
 
-}
-
-
-
-
-
 @MastersThesis{roelofs91,
-
-note = {This dutch thesis describes a monophonic typesetting system,
+  note = {This dutch thesis describes a monophonic typesetting system,
   and focuses on the breaking algorithm, which is taken from Hegazy &
-  Gourlay },
-
-  year =  {1991},
+  Gourlay},
+  year = {1991},
   title = {Een Geautomatiseerd Systeem voor het Afdrukken van Muziek},
-  author = {Ren\'e Roelofs},
-  school={Erasmus Universiteit Rotterdam},
-  number={45327},
+  author = {René Roelofs},
+  school= {Erasmus Universiteit Rotterdam},
+  number= {45327},
   translation = {``An automated system for printing music'' Master's Thesis Managerial Computer Science.},
 }
 
-
 @Article {filgueiras93,
-  year =  {1993},
+  year = {1993},
   title = {Representation and manipulation of music documents in SceX},
-  author = {Miguel Filgueiras and Jos\'e Paulo Leal},
-  journal= {Electronic Publishing},
-  volume={6},
-  number={4}, pages = {507--518},
-  url={http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.17.1480},
+  author = {Miguel Filgueiras and José Paulo Leal},
+  journal = {Electronic Publishing},
+  volume = {6},
+  number= {4}, pages = {507--518},
+  url= {http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.17.1480},
 }
 
-
 @Article {foxley87,
-
-note = {A paper on a simple TROFF preprocessor to typeset music. },
-
-  year =  {1987},
+  note = {A paper on a simple TROFF preprocessor to typeset music.},
+  year = {1987},
   title = {Music --- A language for typesetting music scores},
   author = {Eric Foxley},
   journal = {Software --- Practice and Experience},
@@ -615,20 +532,17 @@ note = {A paper on a simple TROFF preprocessor to typeset music. },
 }
 
 @Article {Langston90,
-
   note = {This paper deals with some command-line
-  tools for music editing and playback. },
-
-  year =  {1990},
+  tools for music editing and playback.},
+  year = {1990},
   title = {Unix music tools at Bellcore},
   author = {Peter S. Langston},
-  journal={Software --- Practice and Experience},
-  volume={20},
-  number={S1},
-  pages={47--61},
+  journal = {Software --- Practice and Experience},
+  volume = {20},
+  number= {S1},
+  pages = {47--61},
 }
 
-
 @Book {filgueiras96,
   year = {1996},
   title = {Implementing a Symbolic Music Processing System},
@@ -642,36 +556,31 @@ note = {A paper on a simple TROFF preprocessor to typeset music. },
   totalentry = {Miguel Filgueiras. ``Some Music Typesetting Algorithms''. LIACC, Universidade do Porto, forthcoming},
 }
 
-
 @Article {colorado-web,
-  author ={Alyssa Lamb},
-
+  author = {Alyssa Lamb},
   note = {Webpages about engraving (designed with finale
 users in mind) (sic) HWN},
-
   institution = {The University of Colorado},
-  title ={The University of Colorado Music Engraving page.},
-  HTML={http://www.cc.colorado.edu/Dept/MU/Musicpress/},
-  year={1996}
+  title = {The University of Colorado Music Engraving page.},
+  HTML= {http://www.cc.colorado.edu/Dept/MU/Musicpress/},
+  year = {1996}
 }
 
 @Article {tablature-web,
   note = {FAQ (with answers) about TAB, the ASCII variant of Tablature. HWN},
   title = {how to read and write tab: a guide to tab notation},
   author = {Howard Wright},
-  email={Howard.Wright@ed.ac.uk},
-  url={http://www.guitartabs.cc/tabfaq.shtml},
+  email= {Howard.Wright@ed.ac.uk},
+  url= {http://www.guitartabs.cc/tabfaq.shtml},
 }
 
 @Article {niff-web,
-
   note = {Specs for NIFF, a reasonably comprehensive but binary
   format for notation HWN},
-
-  year =  {1995},
+  year = {1995},
   title = {NIFF6a Notation Interchange File Format},
   author = {Cindy Grande},
-  publisher={Grande Software Inc.},
+  publisher= {Grande Software Inc.},
   HTML= {http://www.jtauber.com/music/encoding/niff/},
   ftp = {ftp://blackbox.cartah.washington.edu}
 }
@@ -679,93 +588,83 @@ users in mind) (sic) HWN},
 @Article {smdl-web,
   author = {International Organization for Standardization (ISO)},
   title = {Information Technology - Document Description and Processing Languages - Standard Music Description Language (SMDL)},
-  pdf= {ftp://ftp.ornl.gov/pub/sgml/wg8/smdl/10743.pdf},
-  number={ISO/IEC DIS 10743},
+  pdf = {ftp://ftp.ornl.gov/pub/sgml/wg8/smdl/10743.pdf},
+  number = {ISO/IEC DIS 10743},
   year = {1992},
   annote = {SGML instance for describing music.  Very comprehensive in music
 definition, but no support for notation / performance whatsoever (They
-basically say: "You can embed a NIFF or MIDI file")}
+basically say: "You can embed a NIFF or MIDI file")},
 }
 
-
 @Article {rader96,
-
   note = {Describes a system called MusicEase, and explains that it
   uses "constraints" (which go unexplained) to automatically position
-  various elements. },
-  html={http://mesastate.edu/~grader/ieeeme.pdf}, 
-  year =  {1996},
+  various elements.},
+  html = {http://mesastate.edu/~grader/ieeeme.pdf},
+  year = {1996},
   title = {Creating Printed Music Automatically},
   author = {Gary M. Rader},
   journal = {Computer},
-  volume={29},
-  number={6},
-  month={June},
+  volume = {29},
+  number= {6},
+  month= {June},
   pages = {61--69},
 }
 
-
 @MastersThesis{gall97:_creat,
-  author = 	 {Lo\"ic Le Gall},
-  title = 	 {Cr\'eation d'une police adapt\'ee \`a la notation musicale baroque},
-  school = {\'Ecole Estienne},
+  author = {Loïc Le Gall},
+  title = {Création d'une police adaptée à la notation musicale baroque},
+  school = {École Estienne},
   year = 1997,
 }
 
 @TechReport{droettboom00:_study_notat_descr_languag,
-  author = 	 {Michael Droettboom},
-  title = 	 {Study of music Notation Description Languages},
-  year = 	 2000,
-  url= {http://www.music.mcgill.ca/~ich/research/omr/levy/format.pdf},
-
-  note ={GUIDO and lilypond compared. LilyPond wins on practical
+  author = {Michael Droettboom},
+  title = {Study of music Notation Description Languages},
+  year = 2000,
+  url = {http://www.music.mcgill.ca/~ich/research/omr/levy/format.pdf},
+  note = {GUIDO and lilypond compared. LilyPond wins on practical
 issues as usability and availability of tools, GUIDO wins on
-implementation simplicity.}  }
+implementation simplicity.},
+}
 
 @PhdThesis{gieseking01:_code_gener_noten,
-  author = 	 {Martin Gieseking},
-  title = 	 {Code-basierte Generierung interaktiver Notengraphik
-
-},
-  school = 	 {Universit\"at Osnabr\"uck},
-  year = 	 2001,
+  author = {Martin Gieseking},
+  title = {Code-basierte Generierung interaktiver Notengraphik},
+  school = {Universität Osnabrück},
+  year = 2001,
   isbn = {ISBN 3-923486-30-8}
 }
 
 @Book{hewlett01:_virtual_score,
-  editor =	 {Walter B. Hewlett and Eleanor Selfridge-Field},
-  title = 	 {The Virtual Score; representation, retrieval and restoration},
-  publisher = 	 {MIT Press},
-series = {Computing in Musicology},
-  year = 	 2001
+  editor = {Walter B. Hewlett and Eleanor Selfridge-Field},
+  title = {The Virtual Score; representation, retrieval and restoration},
+  publisher = {MIT Press},
+  series = {Computing in Musicology},
+  year = 2001
 }
 
-
-
 @PhdThesis{renz02:_algor_guido,
-  author = 	 {Kai Renz},
-  title = 	 {Algorithms and data structures for a music notation system based on GUIDO music notation},
-  school = 	 {Universit\"at Darmstadt},
-  year = 	 2002
+  author = {Kai Renz},
+  title = {Algorithms and data structures for a music notation system based on GUIDO music notation},
+  school = {Universität Darmstadt},
+  year = 2002
 }
 
 @InBook{powell02:_music,
-  author =	 {Steven Powell},
-  title = 	 {Music engraving today},
-  publisher = 	 {Brichtmark},
-  year = 	 2002,
-
-  note =	 {A "How Steven uses Finale" manual.}
+  author = {Steven Powell},
+  title = {Music engraving today},
+  publisher = {Brichtmark},
+  year = 2002,
+  note = {A "How Steven uses Finale" manual.}
 }
 
-
 @InProceedings{nienhuys03:_lilyp,
-  author = 	 {Han-Wen Nienhuys and Jan Nieuwenhuizen},
-  title = 	 {LilyPond, a system for automated music engraving},
-  booktitle =	 {XIV Colloquium on Musical Informatics},
-  year =	 2003,
+  author = {Han-Wen Nienhuys and Jan Nieuwenhuizen},
+  title = {LilyPond, a system for automated music engraving},
+  booktitle = {XIV Colloquium on Musical Informatics},
+  year = 2003,
   pages = {167--172},
-  address =	 {Firenze},
-  month =	 {May}
+  address = {Firenze},
+  month = {May}
 }
-