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authorJan Nieuwenhuizen <janneke@gnu.org>2009-08-13 00:32:36 +0200
committerJan Nieuwenhuizen <janneke@gnu.org>2009-08-13 01:30:27 +0200
commit3fcb1f38d96cd2b5d49deebcde8b476ff96430e4 (patch)
treede750c4e73199299a74fda1e2c7eca1b8f963e83 /Documentation/automated-engraving/introduction.itexi
parent480e203052571809f1a11ee7c7728f08aa042fe9 (diff)
Doc: automated-engraving: build fixes and images.
Diffstat (limited to 'Documentation/automated-engraving/introduction.itexi')
-rw-r--r--Documentation/automated-engraving/introduction.itexi20
1 files changed, 9 insertions, 11 deletions
diff --git a/Documentation/automated-engraving/introduction.itexi b/Documentation/automated-engraving/introduction.itexi
index 97bd6c59c9..29d824649b 100644
--- a/Documentation/automated-engraving/introduction.itexi
+++ b/Documentation/automated-engraving/introduction.itexi
@@ -30,28 +30,26 @@ is a typical contemporary computer product. Take a few seconds to let
the looks of both pages sink in. Which one do you like better, and
why?
-@table asis
+@ifnottex
+@multitable @columnfractions .5 .5
@item
-@tab
-@image{pictures/baer-suite1-fullpage,,,.png}
+@sourceimage{baer-suite1-fullpage,,,.png}
@tab
-@image{pictures/henle-suite1-fullpage,,,.png}
+@sourceimage{henle-suite1-fullpage,,,.png}
@item
-@tab
B@"arenreiter (BA 320, (c) 1950)
@tab
Henle (nr. 666 (c) 2000)
-
-
-@end table
+@end multitable
+@end ifnottex
The left picture looks nice: it has flowing lines and movement. It's
music, and it's alive. Now, the picture on the right shows the same
@@ -62,7 +60,7 @@ a fragment of both pieces:
@divClass{float-center}
@divEnd
-@image{pictures/baer-suite1-line,,,.png}
+@sourceimage{baer-suite1-line,,,.png}
@divClass{float-center}
@divEnd
@@ -72,7 +70,7 @@ Hand-made
@divClass{float-center}
@divEnd
-@image{pictures/henle-suite1-line,,,.png}
+@sourceimage{henle-suite1-line,,,.png}
@divClass{float-center}
@divEnd
@@ -107,7 +105,7 @@ to better performances.
@divClass{float-right}
@divEnd
-Next: @ref{software.html,What's wrong with software}, or how
+Next: @ref{software,What's wrong with software}, or how
Finale is not the end-all of music software.