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author | Jan Nieuwenhuizen <janneke@gnu.org> | 2009-08-13 00:32:36 +0200 |
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committer | Jan Nieuwenhuizen <janneke@gnu.org> | 2009-08-13 01:30:27 +0200 |
commit | 3fcb1f38d96cd2b5d49deebcde8b476ff96430e4 (patch) | |
tree | de750c4e73199299a74fda1e2c7eca1b8f963e83 /Documentation/automated-engraving/index.itexi | |
parent | 480e203052571809f1a11ee7c7728f08aa042fe9 (diff) |
Doc: automated-engraving: build fixes and images.
Diffstat (limited to 'Documentation/automated-engraving/index.itexi')
-rw-r--r-- | Documentation/automated-engraving/index.itexi | 121 |
1 files changed, 0 insertions, 121 deletions
diff --git a/Documentation/automated-engraving/index.itexi b/Documentation/automated-engraving/index.itexi deleted file mode 100644 index 4377f0b60d..0000000000 --- a/Documentation/automated-engraving/index.itexi +++ /dev/null @@ -1,121 +0,0 @@ -\input texinfo @c -*- coding: utf-8; mode: texinfo; -*- -@ignore - Translation of GIT committish: FILL-IN-HEAD-COMMITTISH - - When revising a translation, copy the HEAD committish of the - version that you are working on. See TRANSLATION for details. -@end ignore - -@ignore -hmm, the one big page is too big, but it was really inviting to - read. this is not. maybe just scrap this menu and introduction - to index? -@end ignore - -@chapheading @qq{Obsessed with putting ink on paper} -@node index - -@unnumberedsec What is behind LilyPond? - - -@image{pictures/hader-collage,,,.jpeg} - - - -LilyPond is not unique in making music notation: there are a lot of -programs that print music, and nowadays most of the newly printed -music is made with computers. Unfortunately, that also shows: just -ask any musician that plays classical music: new scores do not look as -nice as old ones. - -What is the difference between hand-work and machine work, and what - has caused it? How can we improve the situation? This essay explains - problems in music notation (software), and our approach to solving - them. - -@menu - -@itemize - @item - - @ref{introduction.html,Introduction}: what's wrong with - computer music notation. - - - @item - - @ref{software.html,What's wrong with software}, or how - Finale is not the end-all of music software. - - - @item - - @ref{problem-statement.html,How not to design software}, - or: modeling music notation. - - - @item - - @ref{divide-and-conquer.html,Divide and conqueror}, - A blue print for automated notation. - - - @item - - @ref{implementing-notation.html,Impressive, but does it also - work in theory}? A practical approach to capturing notation. - - @item - - @ref{engraving.html,Music engraving}, the art of printing - music. - - - - @item - - @ref{implementing-typography.html,Implementing typography}: - hackers attack the engraving problem. - - - @item - - @ref{formatting-architecture.html,A flexible program - architecture} lets us write engraving software - - - @item - - @ref{scoring-esthetics.html,Beautiful numbers}: how - LilyPond participates in the Miss World contests. - - - @item - - @ref{benchmarking.html,Notation benchmarking}: is a flexible - architecture enough? - - - @item - - @ref{typography-features.html,Typographical features} unique - to LilyPond. - - - @item - - @ref{input-format.html,Input format}: how to enter music. - - - @item - - @ref{conclusion.html,Conclusion} - - -@end itemize - -This essay is also available in @ref{big-page.html,one big - page}. - -@bye - |